20.500.12556/RUL-181474 Participatorni trajnostni projekt sodobne umetnosti zavetišče za zavržene rastline Participatory sustainable contemporary art project: the abandoned plant sanctuary V popularni kulturi naravo pogosto definirajo kot antonim mestnega okolja, kar ustvarja binarno delitev med "naravnim" in "umetnim". Takšna percepcija narave kot idiličnega, neokrnjenega prostora zanemarja kompleksno soodvisnost med človekom in okoljem. Projekt Zavetišče za zavržene rastline, ki sta ga leta 2015 zasnovali umetnici Anamari Hrup in Eva Jera Hanžek, raziskuje možnosti prenosa narave v urbana okolja in vzpostavlja drugačen odnos med človekom in rastlinami. Zavetišče je platforma za posvajanje zavrženih lončnic, ki temeljijo na trajnostni rabi, vključevanju skupnosti in simbolni vrednosti rastlin. Projekt vključuje skupnost, ki zavržene rastline bodisi prinaša bodisi posvaja. Posvojitev spremlja simbolni proces ustvarjanja portretov rastlin, s čimer se posvojitelji povežejo z rastlinami na poseben način. Zavetišče je skozi leta pridobilo mobilna in stalna zatočišča (t. i. Zelene točke) ter se prilagajalo nepredvidenim okoliščinam. Kljub udeležbi na delavnicah kreativnih industrij projekt ostaja nepridobiten, saj avtorici nočeta ogroziti njegovega osnovnega poslanstva. Rastline v zavetišču niso več zgolj dekorativni predmeti, temveč postajajo subjekti s pravicami in pomenom, kar spodbuja razmislek o etiki odnosa med človekom in naravo. Participatorna umetnost zavetišča presega tradicionalne galerijske prostore, vključuje občinstvo in odpira dialog o ekologiji, trajnosti in družbeni odgovornosti. Hrup in Hanžek se kot avtorici opredeljujeta bolj kot producentki in režiserki izkušenj, kjer občinstvo sodeluje kot koproducent. Projekt s svojo interdisciplinarnostjo presega meje umetnosti in vključuje področja kritične teorije, ekologije in sociologije. Zavetišče za zavržene rastline je umetniški in družbeni eksperiment, ki kljub omejenim sredstvom deluje kot prostor za regeneracijo, družbeno povezovanje in premislek o našem odnosu do narave. Zavetišče simbolizira sodobno umetniško avantgardo, ki združuje participacijo, trajnost in politični angažma, ter odpira prostor za nove načine sobivanja človeka, rastlin in urbanega okolja. Popular culture often defines nature as the antonym of the urban environment, creating a binary distinction between the “natural” and the “artificial”. This perception of nature as an idyllic, pristine space overlooks the complex interdependence between humans and the environment. The Abandoned Plant Sanctuary project, conceived in 2015 by artists Anamari Hrup and Eva Jera Hanžek, explores the possibilities of transplanting nature into urban environments and building a different relationship between humans and plants. The Sanctuary functions as a platform to facilitate the adoption of discarded pot plants, grounded in the principles of sustainable use, community participation, and the symbolic value of plants. The project actively involves the community, who either bring in or adopt abandoned plants. Each adoption is accompanied by a symbolic process of creating a plant portrait—a special way of connecting adopters with their new plants. Over the years, the Sanctuary has added both mobile and permanent shelters (the so-called Green Points – Zelene točke) and has continuously adapted to unforeseen circumstances. Despite participating in creative industry workshops, the project remains non-profit, as the authors are determined not to compromise its original mission. The plants in the sanctuary are no longer merely decorative objects, but are treated as subjects with their own rights and significance, encouraging reflection on the ethics of the relationship between humans and nature.The participatory nature of the Sanctuary’s artistic practice transcends traditional gallery spaces, engaging audiences in dialogue on ecology, sustainability, and social responsibility. As authors, Hrup and Hanžek see themselves more as the producers and directors of experiences where the audience acts as co-producer. Through its interdisciplinarity, the project transcends the boundaries of art, intersecting with the fields of critical theory, ecology, and sociology.The Abandoned Plant Sanctuary is an artistic and social experiment that, despite limited funding, functions as a space for regeneration, social connection, and reflection on our attitude to nature. The Sanctuary stands as a symbol of a contemporary artistic avant-garde that brings together participation, sustainability, and political engagement, opening up space for new possibilities for coexistence between humans, plants, and the urban environment. vizualna umetnost trajnost performans ekologija postprodukcija visual art ecology sustainability performance postproduction true false true Slovenski jezik Angleški jezik Drugo 2026-04-08 15:47:54 2026-04-08 15:47:55 2026-04-09 04:44:12 0000-00-00 00:00:00 2026 0 0 Str. 49-62, 157-159 0000-00-00 Zaloznikova Objavljeno NiDoloceno 0000-00-00 0000-00-00 0000-00-00 7.01 10.51938/9789612977665 272791043 265580547 PDF_poglej_datoteko_Participatorni_trajnostni_projekt_sodobne_umetnosti-_zavetišče_za_zavržene_rastline.pdf PDF_poglej_datoteko_Participatorni_trajnostni_projekt_sodobne_umetnosti-_zavetišče_za_zavržene_rastline.pdf 1 15FB5443054A1784BF93C079B901F1BC 3fcd11bf226fea41b76d10ad68df4797958e69e21c32976c83b62689d1bca730 31038ed2-3353-11f1-b0ab-0050569b8976 https://repozitorij.uni-lj.si/Dokument.php?lang=slv&id=231980 https://ebooks.uni-lj.si/ZalozbaUL/catalog/book/896 1 5993d221-3351-11f1-b0ab-0050569b8976 https://repozitorij.uni-lj.si/Dokument.php?lang=slv&id=231975 Akademija za likovno umetnost in oblikovanje 0 0 0