20.500.12556/RUL-179948 Ambient in naključje v japonskem lesorezu: Teorija japonskega lesoreza, njegov okoljevarstveni potencial in razstava grafičnih del z naslovom "Temna snov" / Razstava grafičnih del z naslovom "Temna snov" Ambient and Chance in Japanese Woodblock: The Theory of Japanese Woodblock Printing, Its Environmental Potential, and the Exhibition of Graphic Works Titled "Dark Matter" / Exhibition of Graphic Works Titled "Dark Matter" V magistrskem delu raziskujem zgodovino lesoreza na Japonskem in v Sloveniji s posebnim poudarkom na japonski tradicionalni tehniki mokuhanga. V teoretičnem delu predstavim kronološki pregled slovenskih barvnih lesorezov, ki jih hranijo Narodna galerija, Muzej novejše in sodobne zgodovine Slovenije in Galerija Božidarja Jakca. Podajam predlog za slovenski slovar osnovnih terminov, povezanih z japonskim lesorezom, saj ti doslej še niso bili sistematično prevedeni. Izpostavljam okoljevarstveni potencial te tehnike, ki se kaže v uporabi naravnih materialov in trajnostnih postopkih. Ob tem se posvečam filozofskemu razmisleku o pojmih ambienta in naključja v umetniški praksi ter raziskujem povezave s procesualno umetnostjo. Te teoretske premisleke prenesem v praktični del naloge, ki se realizira kot razstava z naslovom Temna snov. In my master’s thesis, I explore the history of woodblock printing in Japan and Slovenia, with a special focus on the traditional Japanese technique of mokuhanga. In the theoretical part, I present a chronological overview of Slovenian colour woodcuts held by the National Gallery, the Museum of Modern and Contemporary History of Slovenia, and the Božidar Jakac Gallery. I also propose a Slovenian dictionary of basic terms related to Japanese woodblock printing, as they have not yet been systematically translated. I highlight the environmental potential of this technique, which is evident in the use of natural materials and sustainable processes. In addition, I focus on the philosophical reflection on the concepts of ambient and chance in artistic practice and explore connections with process art. I transfer these theoretical reflections to the practical part of the thesis, which is realized as an exhibition titled Dark Matter. slikarstvo grafika japonski tradicionalni lesorez ambient naključje procesualna umetnost razstava grafičnih del z naslovom “Temna snov” magistrska naloga painting printmaking traditional Japanese woodcut ambient chance process art exhibition of graphic works titled “Dark Matter” MA thesis true false false Slovenski jezik Angleški jezik Magistrsko delo/naloga 2026-02-27 09:00:29 2026-02-27 09:00:32 2026-02-28 04:43:34 0000-00-00 00:00:00 2026 0 0 0000-00-00 NiDoloceno NiDoloceno NiDoloceno 0000-00-00 0000-00-00 0000-00-00 1970-01-01 38038 12447.pdf 12447.pdf 1 5084D3F6A59609547528CFEC3EDAA064 3907166956081a5856ace817b4f852b42337b8401c09d06223a6ebaff6f7a9ee 0fe24174-13b2-11f1-a1ba-0050569b8976 https://repozitorij.uni-lj.si/Dokument.php?lang=slv&id=228889 Akademija za likovno umetnost in oblikovanje 0 0 0