20.500.12556/RUL-179204 Upodobitev bitk in samurajev iz obdobja Sengoku v japonski umetnosti paravani kot zgodovinski in ideološki prikaz bitk The Depiction of Samurai and Battles from Sengoku Period in Japanese Art tatakai no rekishiteki, shisoteki hyogen to shite no byobu Diplomsko delo obravnava umetniške upodobitve obdobja Sengoku (1467–1615), s posebnim poudarkom na prikazu samurajev in ključnih zgodovinskih bitk, kot je bitka pri Sekigahari, na japonskih zložljivih paravanih byōbu. Osrednji predmet analize je umetniško delo Sekigahara kassen zu byōbu, ki vizualno interpretira zmago Tokugawe Ieyasuja in začetek šogunata Tokugawa, prelomnega dogodka v japonski zgodovini. Skozi ikonološko in vizualno analizo naloga raziskuje, kako so ti umetniški predmeti služili ne le estetskemu izrazu, temveč tudi kot orodja politične propagande, legitimizacije oblasti in oblikovanja kolektivnega zgodovinskega spomina. Umetniška dela, kot je Sekigahara kassen zu byōbu, pogosto odstopajo od zgodovinske točnosti ter poudarjajo simbolne elemente, idealizirane podobe samurajev in dramatizirane prizore, s čimer utrjujejo podobo Tokugawe Ieyasuja kot legitimnega in božanskega vladarja. Uporaba perspektive z višine, kontrastnih barv, heraldičnih simbolov ter vključitev prepoznavnih zgradb, kot so gradovi, in zgodovinskih osebnosti razkrivajo, kako je umetnost prispevala k utrjevanju novega družbeno-političnega reda. Naloga ugotavlja, da paravani iz obdobja Edo niso bili le dekorativni predmeti, temveč pomembno orodje vizualne kulture, ki je oblikovalo politično zavest in prispevalo k uveljavitvi nove oblasti v zgodnji moderni Japonski. This thesis examines artistic depictions of the Sengoku period (1467–1615), with a particular focus on the depiction of samurai and key historical battles, such as the Battle of Sekigahara, on Japanese folding screens called byōbu. The central object of the analysis is the artwork Sekigahara kassen zu byōbu, which visually interprets the victory of Tokugawa Ieyasu and the beginning of the Tokugawa shogunate, a turning point in Japanese history. Through iconological and visual analysis, the thesis explores how these artworks served not only as aesthetic expression, but also as tools of political propaganda, legitimization of power, and the formation of collective historical memory. Artworks such as Sekigahara kassen zu byōbu often deviate from historical accuracy and emphasize symbolic elements, idealized images of samurai, and dramatized scenes, thereby consolidating the image of Tokugawa Ieyasu as a legitimate and divine ruler. The use of perspective from above, contrasting colors, heraldic symbols, and the inclusion of recognizable buildings such as castles and historical figures reveal how art contributed to the consolidation of a new socio-political order. The thesis emphasizes that Edo period screens were not just decorative objects, but an important tool of visual culture that shaped political consciousness and contributed to the establishment of a new authority in early modern Japan. obdobje Sengoku zložljivi paravani Tokugawa Ieyasu bitka pri Sekigahari mitologizacija Sengoku period folding screen Tokugawa Ieyasu Battle of Sekigahara mythologization true false false [Z. Kolmanič] Slovenski jezik Angleški jezik Diplomsko delo/naloga 2026-02-07 07:16:16 2026-02-07 07:16:20 2026-02-20 08:43:59 0000-00-00 00:00:00 2025 0 Ljubljana 0 Ljubljana 1 spletni vir (1 datoteka PDF (54 str.)) 0000-00-00 Zaloznikova Objavljeno NiDoloceno 0000-00-00 0000-00-00 0000-00-00 94(520)"15/16":75.052 613554 269056515 56145.pdf 56145.pdf 1 ADA2DA7700D87719A6F49A792EB82B0D dfb0b325ad53f9dd9d6738d19b0f07353ea00d291267e0ce30c7a958ada66574 67068a03-03ec-11f1-a1ba-0050569b8976 https://repozitorij.uni-lj.si/Dokument.php?lang=slv&id=227496 Filozofska fakulteta 0 0 0