20.500.12556/RUL-179016 Poetic to popular, beauty and monstrosity in the Norwegian avant-garde theatre Norveško avantgardno gledališče In Norwegian theatre, the avant-garde may be less visible due to the very strong Ibsen tradition in stage directing marked by realism, which is the main tradition throughout Norwegian theatre history. However, there were attempts to create a Norwegian theatre avant-garde in the period between the 1920s and 1960s, which the author addresses in this article as a historical avant-garde perspective of beauty and monstrosity. The article focuses on the break from or cracking of the Ibsen tradition in stage directing, which indicates a break from traditional representational ways of playing Ibsen on stage, marked by the predominant realist stage directing and acting ideals, first during Ibsen’s own life and then during the decades after. The article also indicates the neo-avant-garde transition into the post-avant-garde from the 1960s to the 1980s and how Situationism came to influence it. V norveškem gledališču je avantgarda morda manj vidna zaradi izredno močne ibsenovske režijske tradicije, zaznamovane z realizmom, ki predstavlja osrednjo strujo v norveški gledališki zgodovini. Vseeno pa med dvajsetimi in šestdesetimi leti 20. stoletja beležimo več poskusov, ki so botrovali nastanku tega, kar v članku imenujem zgodovinska avantgarda, o njej pa razpravljam z vidika lepote in monstruoznosti. Pri tem se osredotočam na prekinitev oziroma prelom z ibsenovsko režijsko tradicijo, ki pomenita zavrnitev tradicionalnih načinov reprezentacije pri uprizarjanju Ibsenovih dram – torej realističnih režijskih in igralskih idealov, ki so prevladovali za časa Ibsenovega življenja in v desetletjih po njem. V članku orišem tudi prehod neoavantgarde v postavantgardo, ki je potekal od šestdesetih do osemdesetih let, pa tudi vpliv, ki ga je na to imel situacionizem. historical avant-garde neo-avant-garde post-avant-garde Norwegian Ibsen tradition grotesque folklore beauty and monstrasity stage direction zgodovinska avantgarda neoavantgarda postavantgarda norveška ibsenovska tradicija groteska folklora lepota in monstruoznost gledališka režija true false true Angleški jezik Slovenski jezik Članek v reviji 2026-02-03 10:25:06 2026-02-03 10:25:09 2026-02-04 04:36:58 0000-00-00 00:00:00 2025 0 0 Str. 58-76 št. 1 Let. 13 2025 0000-00-00 Zaloznikova Objavljeno NiDoloceno 0000-00-00 0000-00-00 2025-01-01 792.02(481) 1855-4539 10.51937/Amfiteater-2025-1/58-76 240671235 RAZ_Arntzen_Knut_Ove_2025.pdf RAZ_Arntzen_Knut_Ove_2025.pdf 1 9C25920BDAC95A9D33B05CC13E7C41D6 80ca02a612403646243f411b7ea140dae48d1b446268283d5d9b4cd4e2008981 29618395-00e2-11f1-a1ba-0050569b8976 https://repozitorij.uni-lj.si/Dokument.php?lang=slv&id=227087 https://www.slogi.si/publikacije/amfiteater-revija-za-teorijo-scenskih-umetnosti-letnik-13-stevilka-1/ 0 45c3ee36-00e2-11f1-a1ba-0050569b8976 https://repozitorij.uni-lj.si/Dokument.php?lang=slv&id=227088 Akademija za gledališče, radio, film in televizijo 0 0 0