20.500.12556/RUL-179005 Kritične uprizoritvene prakse od neoavantgarde in postavantgarde do političnega postdramskega gledališča 21. stoletja Critical performance practices from the neo-avant-garde and post-avant-garde to the political post-postdramatic theatre of the 21st century Razprava analizira štiri ključne cikle revolucioniranja razmerja med mainstreamom in eksperimentalnim gledališčem v Sloveniji in bivši Jugoslaviji: neoavantgardo in neomodernizem sedemdesetih, politično gledališče osemdesetih, post- in retroavantgarde devetdesetih ter postpostdramsko dokumentaristično gledališče 21. stoletja. Prvi trije cikli reinterpretirajo utopične ideje zgodovinskih avantgard in jih prilagajajo novim političnim kontekstom, četrti pa jih umešča v kritično umetnost postsocializma in neoliberalizma tekoče moderne (Bauman). Ključna raziskovalna izhodišča izhajajo iz koncepcije Piotra Piotrowskega o horizontalni umetnostni zgodovini in redefiniciji centra ter obrobja, pri čemer obrobje ne deluje le kot podaljšek jedra (Mishkova), temveč ustvarja lastno avtonomijo ter alternativne modele kolektivne identifikacije. Skozi izbrane primere bomo pokazali, kako so eksperimentalne prakse subvertirale dominantne kulturne paradigme in izzvale hegemonijo poznega kapitalizma. Tako bomo pokazali, kako umetniki različnih generacij v različnih zgodovinskih in političnih situacijah razvijajo estetsko, družbeno in politično transgresivne gledališke prakse, ki poskušajo raziskovati in izzivati meje, povezane z individualno in kulturno identiteto. Razbijajo idealistično vizijo harmonične javne sfere, poleg tega gojijo in hkrati razgrajujejo iluzijo, da lahko umetnost resnično prispeva k razorožitvi libidinalnih sil (Mouffe), ki vodijo v sovražnost in so vedno prisotne v človeških družbah, ter posledično k odpovedi smrti kot instrumentu odločitve. The essay examines four key cycles of revolutionary transformations in the relationship between mainstream and experimental theatre in Slovenia and the former Yugoslavia: the neo-avant-garde and neo-modernism of the 1970s, the political theatre of the 1980s, the post- and retro-avant-garde of the 1990s, and the post-postdramatic documentary theatre of the 21st century. The first three cycles reinterpret the utopian ideas of historical avant-gardes, adapting them to new political contexts, while the fourth cycle situates them within the framework of critical art in the post-socialist and neoliberal era of liquid modernity (Bauman). The discussion is grounded in Piotr Piotrowski’s concept of horizontal art history and the redefinition of the centre and the periphery, in which the periphery does not function merely as an extension of the core (Mishkova) but rather establishes its own autonomy and alternative models of collective identification. Through selected case studies, we explore how experimental practices have subverted dominant cultural paradigms and challenged the hegemony of late capitalism, following Boris Groys’s argument that artists themselves are the primary consumers of art. Furthermore, we demonstrate how artists from different generations and historical-political contexts develop aesthetically, socially and politically transgressive theatrical practices that investigate and challenge the boundaries of individual and cultural identity. These practices dismantle the idealistic vision of a harmonious public sphere while simultaneously fostering and deconstructing the illusion that art can truly contribute to the disarmament of libidinal forces (Mouffe) that fuel hostility and are ever-present in human societies – ultimately questioning the renunciation of death as an instrument of decision-making. neoavantgarda postavantgarda tekoča moderna Lado Kralj Oliver Frljić East art map neo-avant-garde post-avant-garde liquid modernity Lado Kralj Oliver Frljić East art map true false true Slovenski jezik Angleški jezik Članek v reviji 2026-02-03 08:56:19 2026-02-03 08:56:28 2026-02-04 04:36:58 0000-00-00 00:00:00 2025 0 0 Str. 16-41 št. 1 Let. 13 2025 0000-00-00 Zaloznikova Objavljeno NiDoloceno 0000-00-00 0000-00-00 2025-01-01 792(497.4):792(497.1) 1855-4539 10.51937/Amfiteater-2025-1/16-41 240476931 Amfiteater_13_1_Avantgarda_01_Toporisic_SI.pdf Amfiteater_13_1_Avantgarda_01_Toporisic_SI.pdf 1 22A5C1BFACD5DE869EEAD7A56FEF83DA 7caf48d36a51258533dc37f4e7a50b3c678adb1e8b1381aad0010f589aecab8b cb680c17-00e0-11f1-a1ba-0050569b8976 https://repozitorij.uni-lj.si/Dokument.php?lang=slv&id=227086 https://www.slogi.si/publikacije/amfiteater-revija-za-teorijo-scenskih-umetnosti-letnik-13-stevilka-1/ 0 39f8a46e-00d8-11f1-a1ba-0050569b8976 https://repozitorij.uni-lj.si/Dokument.php?lang=slv&id=227066 Akademija za gledališče, radio, film in televizijo Amfiteater 0 0 0