20.500.12556/RUL-178215 Magistrski koncert »Zakaj bi ne pel?« magistrsko delo V magistrski nalogi so predstavljene skladbe, ki so bile izvedene na vsebinsko zaokroženem koncertu z naslovom Zakaj bi ne pel?. Koncert je bil oblikovan okoli petja, ene izmed najosnovnejših oblik človekovega izražanja. Ne gre samo za to, da so bili glavni nastopajoči pevci v zboru, temveč tudi za to, da se je pelo o petju samem. To tematiko najdemo v zakladnici zborovske glasbe na najrazličnejših mestih, obdobjih in žanrih; slovenske ali tuje skladbe, sakralne ali posvetne, stare in nove. Za izvedbo del Damijana Močnika, p. Hugolina Sattnerja, Jacobusa Handla – Gallusa, Johanna Pachelbela, Vytautasa Miškinisa, Pavla Česnkokova, Josuja Elberdina in Jana Trilerja se je oblikoval Projektni zbor Cantate Domino. Za deli Mosesa Hogana ter skladbo Antona Foersterja se je pridružil še Komorni zbor Concordia Mengeš, ki od ustanovitve leta 2021 deluje pod vodstvom Tomasa Mejiasa. Skladba Jana Trilerja V zvenečem zraku je bila napisana posebej za to priložnost in je bila na koncertu izvedena prvič. Najprej so predstavljeni izvajalci, nato pa analiza vsake skladbe z biografijo skladatelja, analizo besedila ter historično in strukturno analizo z didaktičnimi pristopi k izvajanju same skladbe. This master's thesis presents the compositions performed at a comprehensive concert entitled Why Wouldn’t I Sing? The concert is designed around singing, one of the most basic forms of human expression. The focus is not only on the choir singers as the main performers but on the theme of singing. This theme can be found in the treasury of choral music across a wide variety of eras and genres, including Slovenian and foreign compositions, as well as sacred and secular works, both old and new. The Cantate Domino Project Choir was formed to perform works by Damijan Močnik, Fr. Hugolin Sattner, Jacobus Handel–Gallus, Johann Pachelbel, Vytautas Miškinis, Pavel Česnkokov, Josu Elberdin and Jan Triler. For the works by Moses Hogan and a composition by Anton Foerster, the Concordia Mengeš Chamber Choir, which has been operating under the direction of Tomas Mejias since its establishment in 2021, has also joined. Jan Triler's composition V zvenečem zraku was specially written for this occasion and was performed for the first time at the concert. The presentation of the performers is followed by an analysis of each composition, including a biography of the composer, text analysis, historical and structural analysis, and didactic approaches to the composition's performance itself. magistrski koncert zborovska glasba Projektni zbor Cantate Domino Komorni zbor Concordia Mengeš historična analiza strukturna analiza didaktični pristop master's degree concert choral music Cantate Domino Project Choir Concordia Mengeš Chamber Choir historical analysis didactic approach structural analysis true false false T. Mejias Slovenski jezik Angleški jezik Magistrsko delo 2026-01-21 13:14:55 2026-01-21 13:15:03 2026-01-22 04:36:27 0000-00-00 00:00:00 2025 0 Ljubljana 2025 Ljubljana 55 str. 0000-00-00 NiDoloceno NiDoloceno NiDoloceno 0000-00-00 0000-00-00 0000-00-00 78 265582339 http://s 1 c30170e5-f6c2-11f0-bf92-0050569b8976 https://repozitorij.uni-lj.si/Dokument.php?lang=slv&id=225830 Mejias_Tomas.pdf Mejias_Tomas.pdf 1 AA4F8853647E103365DD40EB1BFB7922 8afad6c246da45aee8dee369a7df675d4bba3ba91ac66740d40a8fac552f1e9b ce80d948-f6c2-11f0-bf92-0050569b8976 https://repozitorij.uni-lj.si/Dokument.php?lang=slv&id=225831 Akademija za glasbo 0 0 0