20.500.12556/RUL-176399 Nacionalsocialistična ideologija v likovni umetnosti Tretjega rajha magistrsko delo National Socialist Ideology in Fine Arts of the Third Reich V tridesetih letih 20. stoletja, zlasti po imenovanju Adolfa Hitlerja za vodjo Tretjega rajha (1933), so nacionalsocialisti močno posegli v temelje weimarske kulture. Da bi uresničili lastno vizijo o narodu, so nacisti s celotnega prostora nemških državljanov odstranili vse, kar naj bi bilo »degenerirano«. To naj bi »kvarilo« duha tisočletne skupnosti in naj bi negativno vplivalo na avtohtono prebivalstvo. V skladu z lastnimi prepričanji naj bi med ljudstvo vrnili občutek skupne pripadnosti, obudili pa naj bi tudi tradicijo, ki so jo označili kot edino pravo usmeritev. Umetnost v Tretjem rajhu je bila veliko več kot le sredstvo za zadovoljitev estetskih potreb. Bila je aparat za utrjevanje totalitarnega režima. Temeljne smernice nove ustvarjalnosti je ob pomoči strokovnjakov oblikoval sam politični vrh. Od umetnikov je zahteval, da so se vrnili k idealiziranemu akademskemu realizmu, v katerega so vdahnili prenovljena politična prepričanja. Vsakršno odstopanje od uveljavljanih smernic se je štelo za kršitev. Podobe nemške skupnosti so se hitro razširile v javni prostor. S pomočjo teh naj bi se ljudstvo seznanilo z naravnimi pravicami in dolžnostmi, ki so jih pripisali vsem pripadnikom nemške skupnosti. Nove umetnine tako niso odražale zgolj motivov iz okolice, ampak naj bi posredovale višje sporočilo. V naboru motivov in slogu so se morale odmakniti od vsega modernega. Umetniki naj bi slikali na čim bolj razumljiv način, kar je od njih zahteval politični vrh. Le tako naj bi z umetniškimi deli dosegli javnost, ki naj bi si likovna dela ogledala in se seznanila z novo ideologijo nacionalsocializma. V njih sta prevladali monumentalna figuralika in domača pokrajina. Umetnost je bila v Tretjem rajhu močno pod vplivom politike in je postala močno propagandno sredstvo za širjenje nacionalsocialističnega pogleda na svet. In the 1930s, especially after Adolf Hitler was appointed leader of the Third Reich (1933), the National Socialists severely undermined the foundations of Weimar culture. In order to realize their own vision of the nation, the Nazis removed from the entire area of ​​German citizens everything that was considered "degenerate". This was supposed to "corrupt" the spirit of the thousand-year-old community and was supposed to have a negative impact on the indigenous population. Following their own ideology, they tried to return a sense of common belonging, and they also revived tradition, which they described as the only right. Art in the Third Reich was much more than just a means of satisfying aesthetic needs. It was an apparatus for consolidating the totalitarian regime. The basic guidelines of the new creativity were formed by the political leadership itself, with the help of experts. It demanded that artists return to idealized academic realism, into which they breathed renewed political beliefs. Any deviation from the established guidelines was considered a violation. Images of the German community quickly spread into public space. With their help, the people were to become familiar with the natural rights and duties attributed to all members of the German community. The new works of art did not simply reflect motifs from the surrounding area, but were to convey a higher message. In their range of motifs and style, they had to move away from everything modern. Artists were to paint in the most understandable way possible, which was required of them by the political leadership. Only in this way could the works of art reach the public, who were to view the works of art and become familiar with the new ideology of National Socialism. They were dominated by monumental figuration and the native landscape. Art in the Third Reich was strongly influenced by politics and became a powerful propaganda tool for spreading the National Socialist worldview. ideologija degeneracija nacionalsocialistično slikarstvo Tretji rajh nacizem ideology degeneration National Socialist painting Third Reich Nazism true false false P. Župevec Slovenski jezik Angleški jezik Magistrsko delo/naloga 2025-11-29 07:16:45 2025-11-29 07:16:53 2025-12-21 03:56:41 0000-00-00 00:00:00 2025 0 Ljubljana 0 Ljubljana 68 f. 0000-00-00 NiDoloceno NiDoloceno NiDoloceno 0000-00-00 0000-00-00 0000-00-00 1970-01-01 73/76:329.18(043.2) 604542 259714819 63027.pdf 63027.pdf 1 6EFE7FBFC033B70E5509A15141A2BEFC f3cb755719fcc2c6d9668ac61502fe63a0e7187bc90d6861af60adfdf6a2b5d0 a0a934d6-ccea-11f0-9328-0050569b8976 https://repozitorij.uni-lj.si/Dokument.php?lang=slv&id=222725 Filozofska fakulteta 0 0 0