20.500.12556/RUL-176360 Fenomen Banksyja in street art med vojno v Ukrajini magistrsko delo The Banksy phenomenon and street art during the war in Ukraine V magistrskem delu smo se posvetili raziskovanju street arta kot specifične oblike komunikacije in političnega izraza v času vojne. Naše izhodišče je bilo spoznanje, da street art presega estetsko dimenzijo in v kriznih razmerah pridobiva funkcijo dokumentiranja, oblikovanja kolektivnega spomina in odpora. Osredotočili smo se na Banksyjeve murale, ki so v času vojne nastali na porušenih stavbah v Ukrajini, saj ti ne nagovarjajo le lokalnega prebivalstva, temveč tudi mednarodno javnost, hkrati pa s svojo umeščenostjo razkrivajo politično težo prostora. Cilj magistrskega dela je bil analizirati kontekst in simbolni pomen Banksyjevih stvaritev v Ukrajini ter pokazati, kako njegove šablone delujejo kot alternativni mediji, ki izražajo kritična sporočila o vojni, nasilju in odporu. V teoretičnem delu smo opredelili pojme street art, politični grafiti, alternativni mediji in komodifikacija ter preučili pomen umetnosti v vojnih razmerah. V empiričnem delu smo s kombinacijo zgodovinsko-primerjalne metode, kompozicijske analize in socialne semiologije analizirali sedem Banksyjevih del. Posebno pozornost smo namenili vprašanju komodifikacije, saj se umetniška dela, ki izvirajo iz nepridobitne subkulture, pogosto hitro vključijo v kapitalistični proces in posledično lahko izgubijo del svoje subverzivne moči. Namen magistrskega dela je odpreti prostor za razpravo o vlogi umetnosti med vojno, njenem vplivu na javno zavest ter o dilemah, ki nastajajo ob preseku kritične sporočilnosti in poblagovljenju. In our master's thesis, we focused on researching street art as a specific form of communication and political expression during wartime. Our starting point was the realization that street art transcends the aesthetic dimension and, in times of crisis, takes on the function of documenting, shaping collective memory, and resistance. We focused on Banksy's murals, which were created during the war on destroyed buildings in Ukraine, as they appeal not only to the local population but also to the international public, while at the same time revealing the political significance of the space through their location. The aim of the master's thesis was to analyze the context and symbolic meaning of Banksy's creations in Ukraine and to show how his stencils function as alternative media that express critical messages about war, violence, and resistance. In the theoretical part, we defined the concepts of street art, political graffiti, alternative media, and commodification, and examined the significance of art in wartime. In the empirical part, we analyzed seven of Banksy's works using a combination of historical-comparative methods, compositional analysis, and social semiology. We paid particular attention to the issue of commodification, as works of art originating from non-profit subcultures are often quickly incorporated into the capitalist process and may consequently lose some of their subversive power. The purpose of the master's thesis is to open up a space for discussion about the role of art during the war, its influence on public consciousness, and the dilemmas that arise at the intersection of critical messaging and commodification. Banksy grafiti street art alternativni mediji komodifikacija Banksy graffiti street art alternative media commodification true true false A. S. Staltner Slovenski jezik Angleški jezik Magistrsko delo/naloga 2025-11-28 08:30:05 2025-11-28 08:30:12 2025-12-20 04:04:58 0000-00-00 00:00:00 2025 0 Ljubljana 0 Ljubljana 1 spletni vir (1 datoteka PDF (62 str.)) 0000-00-00 NiDoloceno NiDoloceno NiDoloceno 0000-00-00 0000-00-00 0000-00-00 316.7:07(477)(043.2) 185580 260214531 23580.pdf 23580.pdf 1 747D722810795040C532AFC63E8EB46C 1fc0a9ceaad87a04ec8b9692c5ed8720d5c8b71230a3bb5edd4f47aa8f1d3420 bc66401e-cc2b-11f0-9328-0050569b8976 https://repozitorij.uni-lj.si/Dokument.php?lang=slv&id=222666 Fakulteta za družbene vede 0 0 0