20.500.12556/RUL-175772 Medprostor kot odraz razmerja med melanholijo in humorjem v postjugoslovanskem filmu magistrsko delo Interspace as a reflection of the relationship between melancholy and humour in Post-Yugoslav cinema V magistrski nalogi raziskujem razmerje med melanholijo in humorjem na izbranemu vzorcu filmov, ki so nastali v državah postjugoslovanske sfere. Odnos med melanholijo in humorjem bom obravnavala s teoretskega vidika in na fenomenološki ravni, pri čemer se bom v največji meri naslanjala na izhodišča in misli francoskega filozofa Gillesa Deleuza. Ključen pojem raziskave je koncept medprostora, ki ga razumem kot točko, v kateri se razmerje odvije. Poleg tega je medprostor tudi nosilec družbenega konteksta in kolektivnega spomina. Zanima me torej, kakšno je delovanje medprostora v prenašanju družbenih ideologij. V izbranih primerih gre večinoma za uprizoritev odnosa med posameznikom in njegovim mentalnim stanjem ter novonastalo družbo, ki je orisana skozi tradicijo in družbene vloge. Cilj naloge je teoretsko razložiti koncept medprostora in ga nato aplicirati na konkretno filmsko gradivo (Ne glej mi v krožnik; Oprosti za kung fu; Metastaze; Seks, alkohol in prelivanje krvi; Tovor; Delavski razred gre v pekel; Ekskurzija; Halimina pot; Grbavica; Oroslan), kar mi bo omogočilo sintezo fenomenološke metode in analize. Razmerje med melanholijo in humorjem je bilo namreč značilno že v jugoslovanski kinematografiji, ki izrazito vpliva tudi na postjugoslovansko kinematografijo, kar nakazuje na specifičen trend in estetiko. Raziskava temelji na analizi izbranega filmskega vzorca, znotraj katerega bom identificirala ključne teoretske pojme ter iz njih izpeljala širši socialno-družbeni kontekst. Ugotovitve naloge kažejo na neposredno povezavo in uporabo medprostora za izražanje sporočil, poglabljanje v notranje stanje protagonistov ter kritiko novonastale, postsocialistične družbe. In my master’s thesis I am researching the relationship between melancholy and humour in a selected sample of movies produced in the countries of Post-Yugoslavian sphere. I will analyse the relationship between melancholy and humour from a theoretical point of view on a phenomenological level. The main basis for this treatment is the ideas of French philosopher Gilles Deleuze. The key concept of this research is the notion of interspace, which I understand as a point of the unfolding of the aforementioned relationship. Furthermore, interspace also contains social context and collective memory. I am, therefore, interested in the role of interspace in transferring ideologies in societies. In the selected examples, the focus is mostly on presenting the relationship between an individual and their mental state, and the newly formed society, which is presented through tradition and social roles. The goal of the thesis is to theoretically explain the concept of interspace and to then apply it to the following movies: Quit Staring at My Plate; Sorry for kung fu; Metastases; Sex, Drink and Bloodshed; The Load; Working Class Goes to Hell; Excursion; Halima’s Path; Grbavica: The Land of My Dreams; Oroslan. This will enable me to do a synthesis of the phenomenological method and analysis. The relationship between melancholy and humour was typical for Yugoslavian cinematography already. This affects Post-Yugoslavian cinematography as well, and points to a specific trend and aesthetics. The research is based on the analysis of the selected sample of movies, where I will identify key theoretical concepts and derive a broader social context out of them. The findings of my thesis point to a direct link between and the use of interspace for transferring messages, analysing the internal states of the protagonists in depth, and the critique of the newly formed post-socialist society. medprostor postjugoslovanska kinematografija kolektivni spomin melanholija humor interspace Post–Yugoslav cinema collective memory melancholy humour true false false [M. Kuljanac] Slovenski jezik Angleški jezik Magistrsko delo/naloga 2025-11-07 09:00:06 2025-11-07 09:00:15 2025-12-15 03:46:25 0000-00-00 00:00:00 2025 0 Ljubljana 0 Ljubljana 84 str. 0000-00-00 Zaloznikova Objavljeno NiDoloceno 0000-00-00 0000-00-00 0000-00-00 791.6 13168 257405699 1565.pdf 1565.pdf 1 F267C7E4EB84D72D6C838DF8B095F859 754516d28ca6c1e226baa8c4ed4b7e15212afdee5e2fd59fb332016dbb41490f 78ebc4df-bbaf-11f0-9328-0050569b8976 https://repozitorij.uni-lj.si/Dokument.php?lang=slv&id=221621 Akademija za gledališče, radio, film in televizijo 0 0 0