20.500.12556/RUL-175189 Se spominjaš Vilka Filača? Študija direktorja fotografije in spomina ter analiza praktičnega dela magistrske naloge Spomin v kadru: preplet filma in osebnih zgodb Do you remember Vilko Filač? A study of the director of photography, memory and an analysis of the master's thesis practice Memory in the frame: The interweaving of film and personal stories V naravi, pod sončnimi žarki, protagonisti v kratkem dokumentarnem filmu Kako sem čakal na sonce postajajo del tihožitij na klopcah, stolih in ležalnikih - v objemu tišine čakajo in se spominjajo. Tihožitja nakazujejo na tišino, pričakovanje ter globoke procese spomina, ki se odvijajo v trenutku čakanja. Magistrsko delo se obrača k ustvarjalnosti in dediščini, ki ju je za seboj pustil Vilko Filač, slovenski mojster filmske fotografije. Delo analizira in interpretira njegovo ustvarjanje v kontekstu spomina, pomena svetlobe ter barvnih tonov, ki so ključni elementi filmske estetike in pripovedi. Poleg tega se raziskava poglobi v povezovanje spomina s filmskim jezikom, pri čemer se uporabijo primeri iz različnih filmskih produkcij, kjer je Filač sodeloval kot direktor fotografije ter teoretske osnove s področja filma. S tem se ustvarja konceptualni okvir za razumevanje, kako filmski jezik lahko izraža in ohranja spomine, kako se spomini materializirajo skozi vizualne, zvočne in simbolne elemente filma. Primeri iz različnih filmov, ki vključujejo motive spomina, tišine, refleksije in identitete, služijo kot primerjalni oris za analizo in razumevanje teh zapletenih povezav. Za osnovni primer sem izbrala lastno avtorsko filmsko delo Kako sem čakal na sonce, ki ga celostno razčlenjujem v okviru magistrske naloge. S tem analitičnim pristopom iščem in osvetljujem trenutke nastajanja, razmišljanja ter občutkov, povezanih s temo spomina, s ciljem osvetliti, kako moj osebni ustvarjalni proces odraža in soustvarja tematiko spomina v filmskem mediju. Pri tem raziskujem, kako se skozi proces snovanja in produkcije filmi angažirajo na nivoju spominske subjektivnosti, kako se osebno in kolektivno spominjanje pretvarja v filmske izraze in kako ti izrazi sodelujejo v oblikovanju kulturne dediščine. In nature, under the sunlight, the protagonists in the short documentary film How I Waited for the Sun become part of still lifes on benches, chairs, and loungers—waiting quietly in the embrace of silence and recalling memories. These still lifes hint at silence, anticipation, and deep memory processes occurring in the moment of waiting. The master's thesis focuses on creativity and heritage left behind by Vilko Filač, a Slovenian master of film cinematography. It analyzes and interprets his work within the context of memory, the significance of light, and color tones, which are key elements of film aesthetics and storytelling. Furthermore, the research delves into the connection between memory and cinematic language, using examples from various film productions where Filač collaborated as a director of photography, alongside theoretical foundations in film studies. This creates a conceptual framework for understanding how cinematic language can express and preserve memories, and how memories materialize through visual, auditory, and symbolic elements of film. Examples from different films, featuring motifs of memory, silence, reflections, and identity, serve as comparative outlines for analyzing and understanding these complex connections. For the primary case study, I selected my own authorial film How I Waited for the Sun, which I comprehensively analyze within the scope of my master’s thesis. Through this analytical approach, I explore and illuminate moments of creation, reflection, and emotions related to the theme of memory, aiming to reveal how my personal creative process reflects and co-creates the theme of memory within the cinematic medium. In doing so, I investigate how films engage with subjective memory on the level of conception and production, how personal and collective remembrance transforms into cinematic expressions, and how these expressions participate in shaping cultural heritage. Vilko Filač film spomin film-spominek sonce protetični spomin Kako sem čakal na sonce kolektivni spomin. Vilko Filač film memory film-memento sun prosthetic memory How I Waited for the Sun collective memory. true false false Slovenski jezik Angleški jezik Magistrsko delo/naloga 2025-10-21 09:00:07 2025-10-21 09:00:19 2026-02-03 13:04:59 0000-00-00 00:00:00 2025 0 0 0000-00-00 Zaloznikova Objavljeno NiDoloceno 0000-00-00 0000-00-00 0000-00-00 12952 260452611 1479.pdf 1479.pdf 1 1DB8335FB5590092B00AC30BB5F46BCF 280d016d6a0799c08cadeab80326e2a10da9dbb11a29ee96c1e873dc43a8852c 57108238-ae4b-11f0-9328-0050569b8976 https://repozitorij.uni-lj.si/Dokument.php?lang=slv&id=220505 Akademija za gledališče, radio, film in televizijo 0 0 0