20.500.12556/RUL-175156 Telo, glas in interpretacija raziskava igralskega procesa v povezavi z metodo Body, Voice, and Interpretation exploring the acting process through Fitmaurice Voicework Magistrska naloga raziskuje igralski izraz skozi povezovanje telesa, glasu in interpretacije dramskih besedil z metodo Fitzmaurice Voicework. Osrednje izhodišče je bilo prepričanje, da avtentičnost igralskega izraza ne nastaja zgolj z intelektualno analizo, temveč predvsem s telesno izkušnjo, dihanjem, tišino in ranljivostjo. V procesu so bili analizirani in uprizorjeni klasični monologi (Medeja, Fedra, Ofelija, Celimena, Arsinoa, Ljubov Ranjevska), ki so služili kot raziskovalno polje za preizpraševanje lastnih omejitev ter oblikovanje avtorske interpretacije. Poseben poudarek je bil namenjen premagovanju notranjih zavor, kot sta bojazen, da bi bila igralska izraznost »preveč«, in nelagodje ob tišini, ter prepoznavanju gledalca kot soustvarjalca. Metoda Fitzmaurice je omogočila intenzivno povezavo med telesnimi impulzi in besedilom, kar je razkrilo nove ravni interpretacije in odprlo prostor za avtentičen igralski izraz. Naloga poudarja, da gledališče nastaja kot živ proces, kjer se teorija in praksa prepletata, ter da se igralčeva ustvarjalnost razkriva v ranljivosti, prisotnosti in dialogu z gledalcem. Body, Voice, and Interpretation: Exploring the Acting Process through Fitzmaurice Voicework; This master’s thesis explores the actor’s expression through the integration of body, voice, and the interpretation of dramatic texts using the Fitzmaurice Voicework method. The central premise is that authentic performance does not emerge solely from intellectual analysis and rational control, but primarily from physical experience, breathing, silence, and vulnerability. Classical monologues (Medea, Phaedra, Ophelia, Célimène, Arsinoé, and Lyubov Ranevskaya) were analyzed and performed as a research field for questioning personal limitations and shaping original interpretation. Particular attention was given to overcoming inner barriers, such as the fear of being “too much” in expression and the discomfort of silence, as well as recognizing the spectator as a co-creator. Fitzmaurice Voicework enabled a deep connection between bodily impulses and text, revealing new levels of interpretation and opening the space for authentic artistic expression. The thesis emphasizes that theatre is a living process in which theory and practice intertwine, and that an actor’s creativity emerges through vulnerability, presence, and dialogue with the audience. KEY Metoda Fitzmaurice telo in glas interpretacija dramskega besedila avtentični izraz tišina in ranljivost Fitzmaurice Voicework body and voice interpretation of dramatic text authentic expression silence and vulnerability true false false Slovenski jezik Angleški jezik Magistrsko delo/naloga 2025-10-18 09:00:08 2025-10-18 09:00:24 2026-02-03 13:37:14 0000-00-00 00:00:00 2025 0 0 0000-00-00 Zaloznikova Objavljeno NiDoloceno 0000-00-00 0000-00-00 0000-00-00 12947 254656003 1470.pdf 1470.pdf 1 110834EAC6999C8F772FD4B59678AF48 4ec4a7f92cff54dd438075b0aa5f307bc28352de3ae96ea97f474c75ae09ce1c d8e0f51e-abef-11f0-9328-0050569b8976 https://repozitorij.uni-lj.si/Dokument.php?lang=slv&id=220459 1471.pdf 1471.pdf 1 1DE21EDEC59E8B721B9E6AB65F8D08E8 5e7bfa9b6dc27296ba9c06595ecc5c42c6bc686a60f5baf3d763541765c6c0f9 d8eb1447-abef-11f0-9328-0050569b8976 https://repozitorij.uni-lj.si/Dokument.php?lang=slv&id=220460 Akademija za gledališče, radio, film in televizijo 0 0 0