20.500.12556/RUL-174876 Jacques Callot: estetika groteske in karnevala estetika groteske in karnevala Jacques Callot: The Grotesque and the Carnivalesque Aesthetic zaključna seminarska naloga Zgodnja dela Jacquesa Callota, baročnega umetnika, znanega po kulturnih in družbenih prizorih zgodnjega 17. stoletja, razkrivajo gledališki svet, kjer sobivajo princi, igralci, pritlikavci in reveži, ter kjer se prepletajo karnevalski motivi in groteska. Njegove kompozicije spominjajo na odrske prizore in poudarjajo življenje kot predstavo, ki spaja plemenite plati človeštva s komičnim in fantastičnim. Umetniška dovršenost in naturalizem ostajata vedno brezhibno združena. Namen naloge je raziskati estetiko grotesknih in karnevalskih motivov v umetnikovih jedkanicah. Motivi so preučeni skozi serije del, kot so »Balli di Sfessania«, »Gobbi« in »Capricci«. Pozornost je namenjena njegovemu zgodnjemu italijanskemu obdobju, ko je bila narava njegove umetnosti še frivolna in lahkotna. Prav tako so obravnavani kulturno ozračje, širši teoretični kontekst groteske in karnevala ter morebitni stilistični vzori. The early works of Jacques Callot, a Baroque artist known for his depictions of cultural and social scenes from the early 17th century, reveal a theatrical world where princes, actors, dwarfs, and beggars coexist, and where carnival motifs intertwine with the grotesque. His compositions resemble stage scenes and emphasize life as a performance that merges the noble aspects of humanity with the comic and the fantastic. Aesthetic refinement and naturalism remain flawlessly integrated. The aim of this paper is to explore the aesthetics of grotesque and carnivalesque motifs in the artist’s etchings. These motifs are examined through series such as »Balli di Sfessania«, »Gobbi«, and »Capricci«. Special attention is given to his early Italian period, when the character of his art was still frivolous and lighthearted. The study also addresses the cultural environment and the broader theoretical context of the grotesque and carnival, as well as potential stylistic influences. groteska karneval commedia dell‘arte Jacques Callot jedkanica grotesque carnival commedia dell’arte Jacques Callot etching true false false M. Meško Slovenski jezik Angleški jezik Diplomsko delo/naloga 2025-10-10 12:10:20 2025-10-10 12:10:24 2025-12-01 03:54:03 0000-00-00 00:00:00 2025 0 Ljubljana 0 Ljubljana 48 str. 0000-00-00 NiDoloceno NiDoloceno NiDoloceno 0000-00-00 0000-00-00 0000-00-00 1970-01-01 76.034.7:929Callot J.(043.2) 599666 254498051 57251.pdf 57251.pdf 1 7E8D7AC6C7EE1D1A4140CC0840746469 bdfe907e8a0e1c886c5df6e244e52864c5209c6bc67c4c5f2a95a3ea15acf59b 1a15ad1d-a5c1-11f0-9328-0050569b8976 https://repozitorij.uni-lj.si/Dokument.php?lang=slv&id=219783 Filozofska fakulteta 0 0 0