20.500.12556/RUL-174852 Vloga in simbolika zrcala v slikarstvu zgodnjega novega veka magistrsko delo The Role and Symbolism of the Mirror in Early Modern Painting Magistrska naloga preučuje vlogo in simboliko zrcala v okviru renesančnega slikarstva, pri čemer združuje tehnični in ikonografski pristop. Obravnava načine, kako so slikarji zrcalo uporabljali kot optični pripomoček za raziskovanje perspektive ter kako je zrcalo delovalo kot simbol resnice, modrosti, minljivosti, vrlin, grehov in umetniške virtuoznosti. Analiza umetnostnih traktatov razkriva, da je zrcalo postalo metafora za slikarstvo samo, saj enako kot umetnik posnema naravo in ustvarja optične iluzije. Ikonografski pregled vključuje primere, kjer zrcalo nastopa znotraj mariološke ikonografije, kot emblematični simbol moralnega razsojanja, ter kot alegorični motiv, pripisan vrlinam ali grehom. Naloga pokaže, da zrcalo v renesančni umetnosti deluje kot praktično orodje v slikarskem procesu, kot vizualni element za doseganje iluzionističnih učinkov in kot nosilec bogate simbolne in alegorične dediščine. This master’s thesis examines the role and symbolism of the mirror in Renaissance painting, combining technical and iconographic approaches. It explores how artists employed the mirror as an optical device to study perspective as well as how it functioned as a symbol of truth, wisdom, transience, virtues, vices, and artistic virtuosity. The analysis of art treatises reveals that the mirror became a metaphor for painting itself, as it, like the artist, imitates nature and produces optical illusions. The iconographic overview includes examples where the mirror appears within Marian iconography, as an emblematic symbol of moral judgement, and as an allegorical element associated with virtues or vices. The thesis demonstrates that, in Renaissance art, the mirror operated both as a practical tool in the artistic process, as a visual element for achieving illusionistic effects, and as a bearer of rich symbolic and allegorical traditions. zrcalo renesančno slikarstvo perspektiva ikonografija simbolika mirror Renaissance painting perspective iconography symbolism true false false M. Ivanović Slovenski jezik Angleški jezik Magistrsko delo/naloga 2025-10-10 07:49:26 2025-10-10 07:49:27 2025-11-30 03:56:28 0000-00-00 00:00:00 2025 0 Ljubljana 0 Ljubljana 70 f. 0000-00-00 NiDoloceno NiDoloceno NiDoloceno 0000-00-00 0000-00-00 0000-00-00 1970-01-01 75.034:681.7.062(043.2) 599575 254479107 58221.pdf 58221.pdf 1 9C53043A3B56EA3811B6844CA133C9BC a0dfc2337cb8b615edc7504cd8db1357cb097271a5f9d126f9a09283fbd83ee8 a66a1484-a59c-11f0-9328-0050569b8976 https://repozitorij.uni-lj.si/Dokument.php?lang=slv&id=219747 Filozofska fakulteta 0 0 0