20.500.12556/RUL-174774 Nizarijski izmailizem in Bartolov Alamut: versko-filozofsko izročilo in njegova literarna reprezentacija diplomsko delo Nizari Ismailism and Bartol's Alamut: religio-philosophical tradition and its literary representation Diplomsko delo obravnava nizarijski izmailizem in njegovo literarno reprezentacijo v romanu Alamut Vladimirja Bartola. V prvem delu naloga rekonstruira versko-filozofsko ozadje nizarijcev: od začetkov šiitskega gibanja in pomena bitke pri Karbali do doktrine imamata, obdobja skritega imama, ustanovitve Fatimidskega kalifata ter razvoja značilnih praks v obdobju Alamuta, kot so atentati, doktrina ta'lim in razglasitev qiyame. Poseben poudarek je namenjen vlogi imama kot verske in politične avtoritete ter kontekstu politične marginalizacije, ki je oblikovala versko-filozofsko izročilo nizarijcev. V drugem delu naloge analiziramo Bartolov roman skozi epistemološki okvir Saidovega orientalizma. Prikazani so ključni motivi, kot so »skrivni red asasinov«, »umetni raj« in »starec z gore«, ki izhajajo predvsem iz evropskih legend in orientalističnih predstav, ne pa iz izvirnih virov nizarijskega izmailizma. Primerjava pokaže, da je Bartol poznal določene zgodovinske in doktrinalne elemente, a je hkrati reproduciral orientalizirane podobe. Roman Alamut je tako le delno zvest zgodovinskemu izročilu nizarijcev, predvsem pa predstavlja evropsko filozofsko refleksijo nihilizma in makiavelizma, ki sta v romanu preslikana na orientalski svet. The thesis examines Nizari Ismailism and its literary representation in Vladimir Bartol’s novel Alamut. The first part reconstructs the religious and philosophical background of the Nizaris: from the origins of Shi’i Islam and the significance of the Battle of Karbala to the doctrine of the Imamate, the period of the Hidden Imam, the establishment of the Fatimid Caliphate, and the development of characteristic practices in the Alamut period, such as assassinations, the doctrine of ta’lim, and the proclamation of qiyama. Special attention is given to the role of the Imam as both a religious and political authority, as well as to the context of political marginalization that shaped the Nizari religious-philosophical tradition. The second part analyzes Bartol’s novel through the epistemological framework of Said’s Orientalism. It highlights key motifs such as the »secret order of assassins,« the »artificial paradise,« and the »Old Man of the Mountain,« which derive primarily from European legends and orientalist representations rather than authentic sources of Nizari Ismailism. The comparison shows that Bartol was familiar with certain historical and doctrinal elements, yet simultaneously reproduced orientalized images. Thus, Alamut is only partially faithful to the historical tradition of the Nizaris, while it primarily reflects European philosophical notions of nihilism and Machiavellianism, projected onto the Oriental world. slovenska književnost šiitski islam nizarijski izmailizem Alamut Vladimir Bartol orientalizem Edward Said Slovene literature Shia Islam Nizari Ismaili Alamut Vladimir Bartol Orientalism Edward Said true false false [P. E. Simić] Slovenski jezik Angleški jezik Diplomsko delo/naloga 2025-10-10 07:15:49 2025-10-10 07:15:56 2025-12-17 13:05:21 0000-00-00 00:00:00 2025 0 Ljubljana 0 55 str. 0000-00-00 NiDoloceno NiDoloceno NiDoloceno 0000-00-00 0000-00-00 0000-00-00 599499 257011459 58932.pdf 58932.pdf 1 BA65BCE4204BD9653BCE65CD49C78153 d362ca3d94ef09ff83da16f03497855334daf722b715d16a26562fed27d92217 f5ab5be4-a597-11f0-9328-0050569b8976 https://repozitorij.uni-lj.si/Dokument.php?lang=slv&id=219662 Filozofska fakulteta 0 0 0