20.500.12556/RUL-174693 Tajvanska staroselska literatura diplomsko delo Taiwanese indigenous literature Delo obravnava tajvansko staroselsko književnost. V prvem delu je prikazano raznoliko zgodovinsko-jezikovno ozadje in njegove posledice za status jezikov in kulturni spomin. Osrednja nit raziskave je razmerje med kulturo, tradicijo in literarnimi oblikami: skupnosti častijo proso, najpomembnejši so obredi, ki so povezani s setvijo in žetvijo, simbolni sistem pa strukturirajo motivi, kot je stokoračna kača in tabuji (npr. gaga, utux). V drugem delu je podan pregled tajvanske staroselske ustne književnosti, ki zajema predvsem mite, zgodbe in legende (nastanek sveta/živali, prenizko nebo, podzemni ljudje), in pisne literature, ki se osredotoča na različne literarne zvrsti in vrste ter značilne motive in teme. V zadnjem delu je podana analiza izbranih del tajvanske staroselske književnosti (s področja ustne književnosti 10 zgodb o živalih ljudstva Bunun, s področja pisne književnosti tri pesmi Vodna leča (fuping 浮萍) in Mladina iz Wusheja (wusheqingnian 霧社青年) avtorja Walisa Nokana ter pesem Stokoračna kača je mrtva (baibushesile 百步蛇死了) avtorja Monanenga ter kratka zgodba Obred rojstva (shengzhiji 生之祭), ki jo je napisal Husluman Vava). Analiza obstoječe literature in izbranih del je pokazala, da staroselska književnost presega svojo estetsko funkcijo, saj se uveljavlja kot pomemben medij kulturnega preživetja, družbene kritike in politične vidnosti, pri čemer pa ohranja visoko stopnjo literarne in estetske dovršenosti. This work analyses the indigenous literature of Taiwan. In the first part, the diverse historical-linguistic backgrounds and their consequences for the status of the languages and cultural memory are presented. The study focuses on the relationship between culture, tradition and literary forms: communities worship millet, the most important rituals are those associated with sowing and harvesting, and the symbolic system is structured by motifs such as the hundred-pacer viper and taboos (e.g. gaga, utux). The second part provides an overview of Taiwanese Indigenous oral literature, which mainly includes myths, stories and legends (creation of the world/animals, the once sky, subterranean peoples), and written literature, which focuses on various genres and forms as well as characteristic motifs and themes. The last part contains an analysis of selected works of indigenous Taiwanese literature: ten animal stories of the Bunun people from oral literature and three poems and a short story from written literature: Duckweed (fuping 浮萍) and Youth of Wushe (wusheqingnian 霧社青年) by Walis Nokan, The Hundred-Pacer Snake is Dead (baibushesile 百步蛇死了) by Monaneng, and the short story The Ritual of Birth (shengzhiji 生之祭) by Husluman Vava. The analysis of existing literature and selected works has shown that indigenous literature transcends its purely aesthetic function and establishes itself as an important medium of cultural survival, social criticism and political visibility, while maintaining a high degree of literary and aesthetic sophistication. Tajvan staroselci književnost motivnotematska analiza kulturna identiteta Taiwan Indigenous peoples literature motif-thematic analysis cultural identity true false false [T. Drstvenšek] Slovenski jezik Angleški jezik Diplomsko delo/naloga 2025-10-09 07:16:58 2025-10-09 07:17:03 2025-11-27 03:41:15 0000-00-00 00:00:00 2025 0 Ljubljana 0 Ljubljana 41 str. 0000-00-00 NiDoloceno NiDoloceno NiDoloceno 0000-00-00 0000-00-00 0000-00-00 82 599261 253978883 59250.pdf 59250.pdf 1 72345810C812EBA52F71A689DC938056 3e7052e248eee0dc4fe39005bc9815d618c1ce962436f2b5e4b45cac549ae4fe f43dba7b-a4ce-11f0-9328-0050569b8976 https://repozitorij.uni-lj.si/Dokument.php?lang=slv&id=219569 Filozofska fakulteta 0 0 0