20.500.12556/RUL-174554 Umetnost in propaganda: enodejanke med drugo svetovno vojno diplomsko delo Art and Propaganda: One-Act Plays During World War II diplomsko delo V diplomskem delu obravnavam partizanske enodejanke Mateja Bora, Jožeta Bona, Milana Klopčiča, Marjana Kozine in Vitomila Zupana. Cilj naloge je bil, da raziščem, ali so besedila namenjena izključno propagandi ali v okviru partizanskih enodejank, ki so bile napisane za mitinge, lahko govorimo o umetnosti. V prvem delu pišem o terminologiji in ugotavljam, kakšne so bile razmere za pisanje dramskih besedil med vojno. Razmere so bile težke, kar vpliva tudi na kvaliteto in dolžino del. Preverjam, kje so napisana dela uprizarjali in opišem nekaj gledaliških skupin in gledališč, ki so delovala v tem obdobju. Najpomembnejše med njimi je bilo Slovensko narodno gledališče na osvobojenem ozemlju. V drugem delu se lotim konkretne analize izbranih del, ki zajema pet agitk: Gospod Lisjak, Punt, Zločin na novomeškem trgu, Mati in Štirje bratje iz zbirke Težka ura: izbor partizanskih iger. Zbirka poleg tega vključuje še igre Težka ura in Raztrganci Mateja Bora, Naš pohod Zvoneta Sintiča in Morale je zmanjkalo Franca Vrega-Mile. Ugotovim, da je bil glavni namen teh iger propaganda oziroma agitacija. Avtorji so želeli doseči, da bi se čim več ljudi pridružilo NOB, zato v dramskih igrah vedno zmagujejo ideje NOB. Kljub temu pa delom ne moremo popolnoma odvzeti umetniške vrednosti, saj med drugim vsebujejo komične prvine in intertekstualost. In this thesis, I examine the partisan one-act plays by Matej Bor, Jože Bon, Milan Klopčič, Marjan Kozina, and Vitomil Zupan. The aim of the study is to explore whether these texts were intended exclusively as propaganda or whether, within the framework of partisan one-act plays written for rallies, they can also be considered works of art. In the first part, I discuss terminology and examine the conditions under which dramatic texts were written during World War II. The circumstances were difficult, which also affected the quality and length of the works. I investigate where these works were performed and describe several theatre groups and theatres active during this period. The most important among them was the Slovensko narodno gledališče na osvobojenem ozemlju. In the second part, I conduct a detailed analysis of selected works, covering five agitprop plays: Gospod Lisjak, Punt, Zločin na novomeškem trgu, Mati, and Štirje bratje from the collection Težka ura: zbirka partizanskih iger. The collection also includes the plays Težka ura and Raztrganci by Matej Bor, Naš pohod by Zvone Sintič, and Morale je zmanjkalo by Franc Vreg-Mile. I find that the main purpose of these plays was propaganda and agitation. The authors aimed to encourage as many people as possible to join the National Liberation Struggle (NOB), which is why the ideas of the NOB always prevail in these dramas. Nevertheless, the works cannot be entirely stripped of their artistic value, as they also include comedic elements and intertextuality. slovenska književnost partizanska dramatika enodejanka umetniška vrednost propaganda Matej Bor Gospod Lisjak Jože Bon Zločin na novomeškem trgu Milan Klopčič Mati Marjan Kozina Štirje bratje Vitomil Zupan Punt Slovene literature partisan drama one-act play artistic value propaganda Matej Bor Gospod Lisjak Jože Bon Zločin na novomeškem trgu Milan Klopčič Mati Marjan Kozina Štirje bratje Vitomil Zupan Punt true false false [N. Sodnik] Slovenski jezik Angleški jezik Diplomsko delo/naloga 2025-10-04 07:16:43 2025-10-04 07:16:47 2025-12-11 09:13:53 0000-00-00 00:00:00 2025 0 Ljubljana 0 Ljubljana 34 str. 0000-00-00 NiDoloceno NiDoloceno NiDoloceno 0000-00-00 0000-00-00 0000-00-00 821.163.6-2.09"1941-1945" 598730 260928515 56204.pdf 56204.pdf 1 EF4283F28986436207990148210EC131 676b0e775ee83383aac7c85c977f3b61531c62314cd879e1097ac47ba902e777 1a6c750f-a0e1-11f0-9328-0050569b8976 https://repozitorij.uni-lj.si/Dokument.php?lang=slv&id=219382 Filozofska fakulteta 0 0 0