20.500.12556/RUL-174493 Gora ljudem analiza simbolike Triglava v istoimenskem happeningu skupine OHO in njeno spreminjanje v kasnejših rekonstrukcijah dogodka A Mountain to the People Analysis of the Symbolism of Triglav in the Homonymous Happening by the OHO Art Collective and the Transformation of its Meanings in Later Reconstructions of the Event Happening Triglav, ki ga je leta 1968 izvedla neoavantgardna umetniška skupina OHO, danes velja za eno ključnih in najbolj prepoznavnih del sodobne slovenske umetnosti. Zaradi svoje ikoničnosti je bil večkrat tudi predmet številnih umetniških rekonstrukcij različnih umetnikov. V svojem diplomskem delu s pomočjo teorij performansa in happeninga analiziram izvirni happening ter njegovi dve najodmevnejši rekonstrukciji ‒ prvo v izvedbi umetniške skupine IRWIN in drugo v izvedbi Janeza Janše, Janeza Janše in Janeza Janše. Na podlagi strokovne literature ob tem oblikujem tudi definicijo umetniške rekonstrukcije v kontekstu uprizoritvene umetnosti, pri čemer me zanima njen namen ter razmerje do izvirnika. Ugotavljam, da je rekonstrukcija pomembno orodje sodobnih uprizoritvenih umetnosti, katere namen ni zgolj posnemanje ali ohranjanje izvirnega dela, temveč prek ponovne uprizoritve ustvarjanje novih pomenov in preoblikovanje umetniškega izhodišča. Triglav, a happening performed by the Slovenian neo-avant-garde art group OHO in 1968, is today considered one of the key and most recognisable works of contemporary Slovenian art. Due to its iconic character, it has been the subject of numerous artistic reconstructions by various artists. In my undergraduate thesis, I use performance art theory and theories of happening art to analyse the original happening and its two most famous reconstructions ‒ the first by the artistic group IRWIN, and the second by Janez Janša, Janez Janša and Janez Janša. At the same time I draw on the academic literature to develop a definition of artistic reconstruction in the context of performance art, whereby I study its purpose and how it relates to the original work. I find that reconstruction is an important tool in contemporary performance art, and that its purpose is not merely to imitate or preserve the original artwork, but that the process of re-enactment can add new meanings to the original and thereby transform it. OHO Triglav happening rekonstrukcija reinterpretacije prvotne uprizoritve OHO Triglav happening reconstruction reinterpretations of the original performance true false false [S. Meden] Slovenski jezik Angleški jezik Diplomsko delo/naloga 2025-10-03 07:45:09 2025-10-03 07:45:12 2026-08-21 12:43:38 0000-00-00 00:00:00 2025 0 Ljubljana 0 Ljubljana 57 str. 0000-00-00 NiDoloceno NiDoloceno NiDoloceno 0000-00-00 0000-00-00 0000-00-00 316.74:7(043.2) 598718 288412675 55857.pdf 55857.pdf 1 99120C136D5C3E448FB3C24037CC2007 8f3deed9c38f870244b253ad056e902fca1b904de357795a74cd3c015acf66ef eb90583c-a01b-11f0-9328-0050569b8976 https://repozitorij.uni-lj.si/Dokument.php?lang=slv&id=219311 Filozofska fakulteta 0 0 0