20.500.12556/RUL-174133 Matrica in njena spremenljiva narava The matrix and its changing nature V svojem diplomskem delu raziskujem obrabo grafične matrice v tehniki suha igla. Bistveni del raziskovanja je spremenljiva narava matrice, ki skozi množično uporabo vodi v naključne spremembe v zapisu, postopno degradacijo skozi čas in zabris sledi. Istočasno vzpostavim vez med globokim tiskom in fosilizacijo. Motiv, ki sem ga upodobil na svoji matrici, je izumrli morski členonožec – trilobit, ki velja za simulaker že davno izumrlega bitja. Zanimalo me je, kakšna bo končna obraba matrice po tisočem odtisu, če namesto grafične preše uporabim priročno napravo za tiskanje v domačem okolju. Preko analize narejenih odtisov sem prišel do ugotovitve, da je pritisk, ki je potreben za odtis v tehniki suha igla, zelo pomemben. Pri odtisih narejenih s pomočjo grafične preše na Akademiji za likovno umetnost in oblikovanje, kjer se pritisk lahko prilagaja glede na potrebe, so bili rezultati ustreznejši. Večji pritisk preše doseže hitrejšo in opaznejšo obrabo matrice v primerjavi z napravo za tiskanje, ki sem jo imel na voljo doma. In my BA thesis, I am researching the wear of a graphic matrix in the drypoint technique. An essential part of the research is on its variable nature, which through its mass use leads to random changes in the record, gradual degradation over time and the fading of traces. At the same time, I establish a connection between intaglio printing and fossilization. The motif that I depicted on my matrix is an extinct marine arthropod – a trilobite, which is considered a simulacrum of a long-extinct creature. I was interested in what the final wear and tear of the matrix would be after the thousandth print, if instead of a graphic press I used a convenient device for printing (Embossing and die cutting system) in a home environment. Through the analysis of the prints made, I came to the conclusion that the pressure required for a print in the drypoint technique is very important. In the prints made using the graphic press at the Academy of Fine Arts and Design, where the pressure can be adjusted according to needs, the results were more appropriate. The higher pressure of the press achieves faster and more noticeable wear of the matrix compared to the printing device I had available at home. Slikarstvo Grafika Globoki tisk Matrica Suha igla Fosil Trilobit Diplomske naloge Painting Printmaking Intaglio printmaking Matrix Drypoint Fossil Trilobite Bachelor's thesis true false false Slovenski jezik Angleški jezik Diplomsko delo/naloga 2025-09-27 09:00:43 2025-09-27 09:00:46 2025-11-18 03:54:55 0000-00-00 00:00:00 2025 0 0 0000-00-00 NiDoloceno NiDoloceno NiDoloceno 0000-00-00 0000-00-00 0000-00-00 1970-01-01 35571 12011.pdf 12011.pdf 1 8213D443F9AE0D9B2F21AEC2C7556944 233cc5d461e4a8104de2bd20712faadfcccbe7fe86fe7c94442103d423e2c644 7f9b496f-9b6f-11f0-9328-0050569b8976 https://repozitorij.uni-lj.si/Dokument.php?lang=slv&id=218892 Akademija za likovno umetnost in oblikovanje 0 0 0