20.500.12556/RUL-173668 Telesna avtonomija in oseba v znanstveni fantastiki Bodily Autonomy and Personhood in Science Fiction Diplomsko delo raziskuje, kako žanr znanstvene fantastike pristopa k filozofsko-antropološkima konceptoma osebe in telesne avtonomije. Dela znanstvene fantastike skozi izmišljene primere ponujajo možnost za obravnavo temeljnih filozofskih vprašanj izven konteksta resničnega življenja. Eno od vprašanj, ki se jih žanr pogosto loteva, je vprašanje o statusu osebe oz. osebstva: kaj pomeni biti oseba in na podlagi česa nekoga razumemo kot osebo? Oseba je družbena kategorija, ki jo razlikujemo od ontološke kategorije jaza. Status osebe mora posamezniku priznati družba, kar pomeni, da mu ga lahko tudi odreče. Skupaj s konceptom osebstva naloga obravnava pravico do telesne avtonomije, ker je prvo pogosto razumljeno kot pogoj drugega. Problem definicije osebe je najprej predstavljen skozi dve različni opredelitvi kriterijev osebstva, kot ju argumentirata Mary Anne Warren in Robert Sparrow. Sledi analiza izbranih primerov iz znanstvene fantastike. Primer romana Ali androidi sanjajo električne ovce? predstavlja sposobnost empatije kot kriterij statusa osebe. Motiv kiborga skozi literarna dela »No Woman Born«, »The Ship Who Sang« in The Murderbot Diaries ter animirani film Ghost in the Shell predstavlja presečišče človeka in stroja ter posledice, ki jih ima taka spojitev za razumevanje osebe in telesa. Zadnji del naloge se ukvarja z umetno ločitvijo telesa in jaza, kot je prikazana v seriji Severance in filmu Mickey 17, v kontekstu kapitalističnega izkoriščanja delavca. The thesis explores how the science fiction genre approaches the philosophico-anthropological concepts of personhood and bodily autonomy. Works of science fiction offer the opportunity to address fundamental philosophical questions outside the context of real life through fictional examples. One of the questions that the genre often addresses is the question of personhood: what does it mean to be a person and on what basis do we consider someone to be a person? Personhood is a social category that is distinguished from the ontological category of the self. One must be recognized as a person by society, which means that society can also deny someone this status. Together with the concept of personhood, the thesis discusses the right to bodily autonomy, because the former is often understood as a condition for the latter. The problem of defining a person is first presented through two different definitions of the criteria of personhood, as argued by Mary Anne Warren and Robert Sparrow. This is followed by an analysis of selected science fiction cases. The example of the novel Do Androids Dream of Electric Sheep? deals with empathy as a criterion for personhood. The motif of the cyborg, through the literary works »No Woman Born«, »The Ship Who Sang« and The Murderbot Diaries and the animated film Ghost in the Shell, represents the intersection of man and machine and the consequences that such a merger has for the understanding of the person and the body. The final part of the thesis deals with the artificial separation between body and the self, as depicted in the show Severance and the film Mickey 17 in the context of the capitalist exploitation of workers. oseba telesna avtonomija znanstvena fantastika kiborg klon personhood bodily autonomy science fiction cyborg clone true false false N. Grohar Slovenski jezik Angleški jezik Diplomsko delo/naloga 2025-09-20 07:15:32 2025-09-20 07:15:47 2025-10-12 04:10:24 0000-00-00 00:00:00 2025 0 Ljubljana 0 Ljubljana 27 str. 0000-00-00 NiDoloceno NiDoloceno NiDoloceno 0000-00-00 0000-00-00 0000-00-00 1970-01-01 159.923.2:82-312.9(043.2) 592672 252250883 57680.pdf 57680.pdf 1 A099A5ACFBA5F5387DC389AA1A0F3C4A 75738de4af84db49ed0a81754f09845df5c6eec2b7e62a8fc09d710e19d5fcaf aff1ccff-95e0-11f0-9328-0050569b8976 https://repozitorij.uni-lj.si/Dokument.php?lang=slv&id=218315 Filozofska fakulteta 0 0 0