20.500.12556/RUL-173570 Postprodukcija kot umetniški izraz: Razvoj skozi fotografije Jerryja Uelsmanna in Erika Johanssona razvoj skozi fotografije Jerryja Uelsmanna in Erika Johanssona Post-production as an Artistic Expression: The Evolution through the Photographs of Jerry Uelsmann and Erik Johansson Diplomsko delo prikazuje razvoj fotografije kot sredstvo za fotografovo umetniško izražanje. Fotografija, ki je na samem začetku razvoja fascinirala predvsem z dejstvom prikazovanja resnične podobe sveta, je postopoma postajala medij, ki je fotografu omogočil ustvarjanje imaginarnih svetov. Naloga skuša osvetliti, da postprodukcijska obdelava fotografij ni zgolj manipulacija, ampak da ponuja možnost prikazovanja umetnikove vizije. Prikazuje razvoj postprodukcije od analognih tehnik do digitalnih, ki je prikazan na podlagi del dveh fotografov – Jerryja Uelsmanna in Erika Johannsona. Osrednji poudarek je na analogni tehniki, ki je ključno vplivala na razvoj sodobnejših digitalnih tehnik, katere so s pomočjo računalniških programov olajšale in razširile možnost kreativnega izražanja. Naloga poleg razvoja primerja delo obeh fotografov, opozarja na določene podobnosti v postopku, prav tako razlike in kako le-te vplivajo na končen videz podobe. Undergraduate thesis explores the development of photography as a means for the photographer’s artistic expression. Photography, which at the beginning of its development fascinated primarily through its ability to depict the real image of the world, gradually evolved into a medium that allowed photographers to create imaginary worlds. The thesis seeks to highlight that post-production editing is not merely manipulation but offers the possibility of conveying the artist’s vision. It presents the evolution of post-production from analog techniques to digital ones, illustrated through the work of two photographers — Jerry Uelsmann and Erik Johansson. The central focus is on analog techniques, which played a crucial role in the development of more modern digital methods, where computer programs have simplified and expanded the possibilities for creative expression. In addition to tracing the development, the thesis compares the work of both photographers, pointing out certain similarities in their processes as well as differences, and how these affect the final appearance of the image. fotografska postprodukcija manipulacija umetniški izraz Uelsmann Johansson photographic post-production manipulation artistic expression Uelsmann Johansson true false false N. Orehov Slovenski jezik Angleški jezik Diplomsko delo/naloga 2025-09-18 11:50:30 2025-09-18 11:50:32 2025-11-11 03:32:45 0000-00-00 00:00:00 2025 0 Ljubljana 0 Ljubljana 51 str. 0000-00-00 NiDoloceno NiDoloceno NiDoloceno 0000-00-00 0000-00-00 0000-00-00 1970-01-01 77(043.2) 592378 253518595 56511.pdf 56511.pdf 1 D45ADC542B9D4882D0987BDD2E552CBB 0d3bca1b3febecf3013d76887ce699f5d85dbbda8f44b6d8cce274c50a715d11 be0b865a-9474-11f0-9328-0050569b8976 https://repozitorij.uni-lj.si/Dokument.php?lang=slv&id=218125 Filozofska fakulteta 0 0 0