20.500.12556/RUL-173417 Ženske in mesto: analiza ženskih izkušenj mesta v sodobnem francoskem filmu (2019-2024) magistrsko delo Women and the city: analysis of women's experiences of the city in contemporary French cinema (2019–2024) Cilj magistrske naloge je analizirati ženske izkušnje mesta v francoskem filmu po razmahu gibanja #jaztudi in prispevati k teoretizaciji spolne zaznamovanosti mest skozi feministični in fenomenološki pogled. K tematiki delo najprej pristopi z vzpostavitvijo teoretskih temeljev in orisom vzajemnega odnosa med mestom in filmom, fenomenološko teorijo in konceptom živete izkušnje in utelešenosti ter nadalje skozi raziskovanje ženskega pogleda in ženskega filma. Preko teorije intersekcionalnosti poskuša razgrniti problematiko binarizmov narava/kultura ter javno/zasebno, ki sta zgodovinsko ženske znotraj patriarhalne družbe potiskali v toge spolne kategorije na katerih so se gradila nasilna in utesnjujoča družbena pričakovanja. Teoretski okvir služi kot temelj analizi filmov francoskih režiserk, s katero se delo sooča skozi fenomenološki okvir in s pomočjo multimodalne in feministične analize. Filme obravnava kot kulturni proizvod, ki je nastal v specifičnem družbeno-zgodovinskem kontekstu, v tem primeru gre predvsem za gibanje #jaztudi, ki je pretreslo tako svetovno kot tudi francosko filmsko industrijo in odprlo nov prostor za ženske zgodbe. V sklepnem delu preko analize filmov ugotavlja, da so doživljanja mesta in urbanega okolja prikazana kot ambivalentna, najprej kot prostor na katerem so odtisnjena utesnjujoča družbena pričakovanja, a hkrati tudi kot prostor, ki ponuja ženskam možnost preseganja ozkih kategorij ženskosti. The aim of the master's thesis is to analyze women's experiences of the city in French film after the rise of the #MeToo movement and to contribute to the theorization of the gendered marking of cities through a feminist and phenomenological perspective. The work first approaches the topic by establishing theoretical foundations and outlining the mutual relationship between the city and film, phenomenological theory and the concept of lived experience and embodiment, and further through the exploration of the female gaze and female film. Through the theory of intersectionality, it attempts to unravel problematic nature/culture and public/private binaries, which have historically pushed women within patriarchal society into rigid gender categories on which violent and oppressive social expectations were built. The theoretical framework serves as the foundation for the analysis of films by French female directors, which the work confronts through a phenomenological framework and with the help of multimodal and feminist analysis. We treat films as a cultural product that emerged in a specific socio-historical context, in this case primarily the #MeToo movement, which shook both the global and French film industries and opened up a new space for women's stories. Through film analysis we find that experiences of the city and urban environment are depicted as ambivalent, first as a space on which oppressive social expectations are imprinted, but at the same time as a space that offers women the opportunity to transcend narrow categories of femininity. mesto prostor film francoski film ženski pogled city space film French cinema female gaze true true false E. Malovrh Slovenski jezik Angleški jezik Magistrsko delo/naloga 2025-09-17 08:30:40 2025-09-17 08:30:43 2025-11-09 03:38:24 0000-00-00 00:00:00 2025 0 Ljubljana 0 Ljubljana 1 spletni vir (1 datoteka PDF (71 str.)) 0000-00-00 NiDoloceno NiDoloceno NiDoloceno 0000-00-00 0000-00-00 0000-00-00 305-055.2:791(44)(043.2) 180191 251342339 22427.pdf 22427.pdf 1 E965DFE8F4C05F3CE767AF1E20E756DC 18f072026fe1b5402f592aa9883af1d906091e00c03ca02d5b76c80fe60f2306 aa327dc0-938f-11f0-9328-0050569b8976 https://repozitorij.uni-lj.si/Dokument.php?lang=slv&id=217827 Fakulteta za družbene vede 0 0 0