20.500.12556/RUL-173200 Kako izgleda tisto, česar ni What Does the Absent Look Like V diplomski nalogi raziskujem vpliv odsotnosti, minljivosti, absurda in pomanjkanja podatkov, prek katerih bi si gledalec lahko ustvaril logično celoto, na izkušnjo gledalca, ki se v tem kontekstu oblikuje kot subjektivna rekonstrukcija pomena, umeščena v prostor zunaj racionalno strukturirane realnosti. Gre za interpretacijo, ki se umešča v sfero afekta, domišljije in svobodnega mišljenja. Teoretski del izhaja iz pojmov dvoumnosti, doživljanja na meji med znanim in neznanim, razkroja realnosti in zdrsa v nerealno, simbolike ter psihičnih stanj, ki takšna občutja spremljajo ali iz njih izhajajo. Posebej me zanima izrazni potencial teh pojmov v kontekstu umetniškega izraza in interpretacije. Praktični del zajema instalacijo Nekaj nekoč, v kateri se nahaja kostum iz avtorske predstave Tristo dni poezije. Predstava je v okviru naloge pomembna, saj se tematsko ukvarja z vprašanji, ki jih teoretsko obravnavam. Instalacija ta vprašanja poglablja prek reference na pojem avre, kot jo opredeli Walter Benjamin. In my thesis, I explore the impact of absence, transience, absurdity, and the lack of information through which the viewer might construct a coherent whole, on the viewer’s experience. In this context, the experience emerges as a subjective reconstruction of meaning, situated in a space beyond rationally structured reality. It is an interpretation grounded in the realm of affect, imagination, and free thought. The theoretical part draws on concepts of ambiguity, experiences that unfold at the threshold between the known and the unknown, the disintegration of reality and the slide into the unreal, symbolism, and the psychological states that accompany these sensations or arise from them. I am particularly interested in the expressive potential of these concepts in the context of artistic expression and interpretation. The practical part consists of the installation Something once, which contains a costume from the original performance Three hundred days of poetry. The performance is relevant to the thesis as it thematically engages with the very questions addressed in the theoretical part. The installation deepens these questions through a reference to the notion of aura, as defined by Walter Benjamin. kiparstvo realnost absurdnost gledalec prisotnost kostum diplomska naloga sculpture reality absurdity viewer presence costume BA thesis true false false Slovenski jezik Angleški jezik Diplomsko delo/naloga 2025-09-13 09:01:27 2025-09-13 09:01:28 2025-11-06 03:36:36 0000-00-00 00:00:00 2025 0 0 0000-00-00 NiDoloceno NiDoloceno NiDoloceno 0000-00-00 0000-00-00 0000-00-00 1970-01-01 34994 11726.pdf 11726.pdf 1 BCB9C4A918ACB78C28BF8FD1DE7C44C1 b1f1875d029ccdefadf1123ed2b424eea78e659490d431c4e8be8fa1d1bb3936 4d8ecd40-906f-11f0-9328-0050569b8976 https://repozitorij.uni-lj.si/Dokument.php?lang=slv&id=217372 Akademija za likovno umetnost in oblikovanje 0 0 0