20.500.12556/RUL-173188 UNTITLED: HIBRIDNI PORTRET UNTITLED: HYBRID PORTRAIT Portret je skozi zgodovino služil kot sredstvo za reprezentacijo obraza in družbenega statusa, a s pojavom fotografije in množične produkcije podob je njegova tradicionalna vloga postala vprašljiva. V diplomskem delu raziskujem sodobni avtoportret kot prostor hibridnosti, kjer se klasična predstava o stabilni identiteti razpira v fluidno, večplastno podobo. Skozi risbe in slike, v katerih se človeško telo prepleta z živalskimi, strojnimi in simbolnimi elementi, razvijam vizualni jezik, ki preizprašuje meje telesa in subjektivnosti. Posebno mesto ima uporaba nenavadnih podlag, kot je avtomobilski pokrov motorja, ki ustvarja napetost med mehkim in trdim, med organskim in umetnim. Teoretski okvir temelji na posthumanističnih teorijah Donne Haraway, Rosi Braidotti, Karen Barad in Judith Butler, ki odpirajo razmislek o telesu kot nestabilnem procesu. Namen dela je refleksija avtorskega ustvarjalnega procesa in prikaz, kako lahko sodobni avtoportret preseže klasične omejitve reprezentacije. Throughout history, the portrait has served as a means of representing the face and social status, but with the advent of photography and the mass production of images, its traditional role has become questionable. In my thesis, I explore contemporary self-portraiture as a space of hybridity, where the classical notion of a stable identity unfolds into a fluid, multi-layered image. Through drawings and paintings in which the human body is intertwined with animal, machine, and symbolic elements, I develop a visual language that questions the boundaries of the body and subjectivity. A special place is occupied by the use of unusual substrates, such as a car hood, which creates a tension between soft and hard, between organic and artificial. The theoretical framework is based on the posthumanist theories of Donna Haraway, Rosa Braidotti, Karen Barad and Judith Butler, which open up the consideration of the body as an unstable process. The purpose of the task is to reflect on the author's creative process and to show how the contemporary self-portrait can transcend the classical limitations of representation. avtoportret portret hibrid posthumanizem identiteta transformacija diplomsko delo self-portrait portrait hybrid posthumanism identity transformation BA thesis true false false Slovenski jezik Angleški jezik Diplomsko delo/naloga 2025-09-13 09:00:54 2025-09-13 09:00:55 2025-11-05 03:49:20 0000-00-00 00:00:00 2025 0 0 0000-00-00 NiDoloceno NiDoloceno NiDoloceno 0000-00-00 0000-00-00 0000-00-00 1970-01-01 34982 11301.pdf 11301.pdf 1 A1B21942808050FF53AEAACAC9D64282 b96705f3ca435f82527dc67abe457d8323a7de9b966a380daeb55a19595a2f67 3aa88b99-906f-11f0-9328-0050569b8976 https://repozitorij.uni-lj.si/Dokument.php?lang=slv&id=217360 Akademija za likovno umetnost in oblikovanje 0 0 0