20.500.12556/RUL-173180 Konservatorsko-restavratorski načrt za sliko sv. Lucije iz levega stranskega oltarja cerkve sv. Marjete v Kočah 'Conservation-restoration plan for the painting of St. Lucy from the left side altar of the church of St. Margaret in Koče V diplomski nalogi opredeljujemo predlog konservatorsko-restavratorskega načrta za sliko sv. Lucije iz levega stranskega oltarja iz cerkve sv. Marjete v Kočah. Na sliki so prisotne različne poškodbe, predvsem zaradi posledic vpliva vlage kot so: konkavne razpoke, kredasta barvna površina in odpadanje slikovne plasti. Poskusili smo, kar se da najbolje opisati vpliv na določene sloje in uporabljene materiale na sliki. S pomočjo naravoslovnih analiz in preiskav smo lahko definirali zgradbo slike in uporabljene materiale. Sosledje predlaganih postopkov v konservatorsko-restavratorskem načrtu smo načrtovali na podlagi stanja umetnine, naravoslovnih analiz in testiranja ustreznih utrjevalcev ter metod za odstranjevanje nečistoč z lica in hrbta. V predlogu konservatorsko- restavratorskega načrta smo z upoštevanjem načel reverzibilnosti in kompatibilnosti materialov opredelili ustrezne postopke, ki so potrebni za vračanje slike v prvotno okolje. In this thesis, we define a conservation-restoration plan for the painting of St. Lucy from the left side altar of the Church of St. Margaret in Koče. The painting exhibits various types of damage, primarily caused by the effects of moisture as are: cupping, chalking of the colour surface and flaking of the paint layer. We attempted to describe the impact on specific layers and the materials used in the painting as best as possible. We performed scientific analyses and investigations on the painting, which revealed its structure and the materials used. With the aid of scientific analysis and testing, we were able to determine the structure of the painting and identify the materials used. The sequence of procedures proposed in the conservation-restoration plan was based on the condition of the artwork, scientific analyses and testing of appropriate consolidants and methods for removing impurities from the front and back of the painting. In the proposed conservation-restoration plan, we defined the appropriate procedures necessary to return the painting to its original environment, taking into account the principles of material reversibility and compatibility. konservatorstvo-restavratorstvo olje na platnu vplivi vlage kredasta površina utrjevanje nasičenje barvne plasti diplomska naloga conservation-restoration oil on canvas effects of humidity chalking consolidation saturation of paint layer BA thesis true false false Slovenski jezik Angleški jezik Diplomsko delo/naloga 2025-09-13 09:00:33 2025-09-13 09:00:33 2025-11-05 03:47:21 0000-00-00 00:00:00 2025 0 0 0000-00-00 NiDoloceno NiDoloceno NiDoloceno 0000-00-00 0000-00-00 0000-00-00 1970-01-01 34976 11181.pdf 11181.pdf 1 502813270334D3D9E26FF8E205F7CE85 226a5aeec35be003d1bdbf8db1e5d4cf483724cf112569020874ad29900e9ecb 2d8103a9-906f-11f0-9328-0050569b8976 https://repozitorij.uni-lj.si/Dokument.php?lang=slv&id=217350 Akademija za likovno umetnost in oblikovanje 0 0 0