20.500.12556/RUL-172905 Podoba narave in ljubezen v ciklu »Pesni dekličje ljubezni« pesnice Mire Mokriške diplomsko delo The Image of Nature and Love in the Cycle »Poems of Young Women's Love« by the Poetess Mira Mokriška Diplomska naloga obravnava lirski cikel »Pesni dekličje ljubezni« izpod peresa Anice Žemlja (Mire Mokriške), katere 150. obletnico rojstva obeležujemo letos. Glavni temi 32-ih pesmi sta narava in srečna ljubezen, ki v medsebojni prepletenosti nakazujeta na veliko naklonjenost pesnice do narave, preko katere spoznava svojo notranjo resničnost. Pogosti elementi narave, ki po metaforizaciji pridobijo eksistencialno pomembne lastnosti, so nebesna telesa, deli dneva, letni časi, potok, gozd in cvetlice. Z njimi izpoveduje svojo srečo, hrepenenje po ljubljenem, svojo krhkost in močna čustva, dvom in zvestobo. Prav slednja z izpolnjeno ljubeznijo tvori razlikovalno lastnost z Josipom Murnom in Vido Jerajevo, katerima se hrepenenje po ljubezenskem idealu ni uresničilo. Sinteza interpretacij in primerjava s sodobnikoma je pokazala, da vsi trije uporabljajo podobne (novo)romantične in impresionistične motive ter oblikovne postopke, kar samoimenovano zapuščeno Mokriško uvršča med kolege po peresu. Po primerjavi s Simonom Jenkom je bilo ugotovljeno, da je pesnica prevzela tradicionalno vzporejanje narave z duševnim svetom, vendar ne v odtujenosti poznega Jenka, ampak na svojstven način. Narava ji predstavlja sakralni eksterier, ki jo spodbuja k razmisleku o sakralnosti lastnega interierja, oba pa v ciklu »Pesni dekličje ljubezni« ostajata celovita, krasna, spokojna in sončna. The diploma thesis addresses the lyrical cycle »Poems of Young Women's Love« by Anica Žemlja (Mira Mokriška), whose 150th birth anniversary we celebrate this year. The main themes of the 32 poems are nature and happy love, which, through their interweaving, indicate the poetess's great affection for nature, through which she discovers her inner reality. Frequent elements of nature, which acquire existentially significant traits through metaphorization, include celestial bodies, parts of the day, seasons, streams, forests and flowers. With these, she expresses her happiness, longing for the beloved, her fragility and strong emotions, doubt, and loyalty. The latter, along with fulfilled love, forms a distinctive characteristic in contrast to Josip Murn and Vida Jeraj, for whom the longing for the ideal of love has not been realized. The synthesis of interpretations and comparison with contemporaries have shown that all three use similar (neo)romantic and impressionistic motifs and formal processes, which classify the self-styled abandoned Mokriška among her peers in writing. In comparison with Simon Jenko, it has been found that the poetess has adopted the traditional comparison of nature with the mental world, but not in the alienation of the late Jenko, but in her own unique way. Nature represents a sacred exterior for her, which encourages her to reflect on the sacredness of her own interior, and both remain whole, beautiful, serene, and sunny in the cycle »Poems of Young Women's Love«. slovenska književnost slovenska poezija Mira Mokriška narava ljubezen Slovenian literature Slovenian poetry Mira Mokriška nature love true false false [L. Baša] Slovenski jezik Angleški jezik Diplomsko delo/naloga 2025-09-12 07:18:02 2025-09-12 07:18:06 2025-12-05 10:23:54 0000-00-00 00:00:00 2025 0 Kamnik [i. e. Ljubljana] 0 Kamnik [i. e. Ljubljana] 55 str. 0000-00-00 NiDoloceno NiDoloceno NiDoloceno 0000-00-00 0000-00-00 0000-00-00 821.163.6-1.09Mokriška M. 591182 260148995 56770.pdf 56770.pdf 1 EBE6D6EAFFB8B8847E0A1D4D795A1A96 9b415f1284cf76c7843a39266ea7aaf74dff4d85df8417ff602bb13637d15a8c b3915e7f-8f97-11f0-9328-0050569b8976 https://repozitorij.uni-lj.si/Dokument.php?lang=slv&id=217038 Filozofska fakulteta 0 0 0