20.500.12556/RUL-172758 Babičina pojedina / Babičina pojedina Grandma's feast / Grandma's feast V magistrski nalogi Babičina pojedina (mehanizmi skrbi, ali kako NE postati stroj) raziskujem presečišče relacijske estetike, feministične umetniške prakse in kulturnega izročila skozi prizmo osebne zgodovine ter hrane kot medija. Izhodišče mojega raziskovanja je osebna izkušnja izgube babice in spomini na najine skupne obroke, iz katerih sem razvila projekt, ki hrano uporablja kot orodje za vzpostavljanje skupnosti, spodbujanje aktivnega sodelovanja obiskovalcev ter ustvarjanje prostorov nekomercializirane človeške bližine. V teoretičnem okviru se opiram na Bourriaudovo relacijsko estetiko, Deleuzov in Guattarijev koncept devenir-machine ter Debordovo kritiko družbe spektakla. S tem poudarjam potencial umetnosti za preseganje uniformiranih družbenih vzorcev in za upor proti kapitalistični instrumentalizaciji odnosov. V projektu Babičina pojedina sem galerijski prostor spremenila v prostor skupnostnega obeda, kjer so bili obiskovalci povabljeni k soustvarjanju in izmenjavi, s čimer sem zabrisala meje med umetnikom, umetniškim delom in občinstvom. V nalogi analiziram pomen hrane kot afektivnega in kulturno zaznamovanega medija, ki povezuje moj osebni spomin z družbenim prostorom, ter ga umeščam v širši kontekst sodobne politične umetnosti in praks, ki temeljijo na skrbi, solidarnosti in medosebnih povezavah. Pomembno vodilo mojega projekta je skrb – kot nekaj, kar se rojeva iz vsakdanjih dejanj, iz pozornosti do drugega in iz pripravljenosti deliti prostor ter čas. Skrb razumem kot način grajenja odnosov, negovanja ranljivosti in ustvarjanja skupnosti. In my master's thesis Grandma’s feast (mechanisms of care, or how NOT to become a machine), I explore the intersection of relational aesthetics, feminist artistic practice, and cultural heritage through the lens of personal history and food as a medium. The starting point of my research is the personal experience of losing my grandmother and memories of our shared meals, from which I developed a project that uses food as a tool to build community, encourage active participation of visitors, and create spaces of non-commercialized human closeness. In the theoretical framework, I draw on Bourriaud’s relational aesthetics, Deleuze and Guattari’s concept of devenir-machine (becoming-machine), and Debord’s critique of the society of the spectacle. Through this, I emphasize the potential of art to transcend standardized social patterns and to resist the capitalist instrumentalization of relationships. In the project Grandma’s feast, I transformed the gallery space into a communal dinner where visitors were invited to co-create and exchange, thereby blurring the boundaries between artist, artwork, and audience. In the thesis, I analyse the meaning of food as an affective and culturally marked medium that connects my personal memory with the social space, situating it within the broader context of contemporary political art and care-based practices grounded in solidarity and interpersonal connections. An important guiding principle of my project is care — understood as something born from everyday actions, from attention to others, and from a willingness to share space and time. I understand care as a way of building relationships, nurturing vulnerability, and creating community. relacijska estetika skrb skupnost hrana kot medij kulturno izročilo spomin feminizem spektakel patriarhat politična umetnost relational aesthetics care community food as medium cultural heritage memory feminism spectacle patriarchy political art true false false Slovenski jezik Angleški jezik Magistrsko delo/naloga 2025-09-11 09:00:55 2025-09-11 09:00:58 2025-10-22 03:45:26 0000-00-00 00:00:00 2025 0 0 0000-00-00 NiDoloceno NiDoloceno NiDoloceno 0000-00-00 0000-00-00 0000-00-00 1970-01-01 34882 11573.pdf 11573.pdf 1 7FF218D0815E3B1EC5031B1C34102672 6d11a8a8b48ef78af7aab500a4fc74ea10994648cfb7a8068c4ce44304df7875 ead2e40b-8edc-11f0-9328-0050569b8976 https://repozitorij.uni-lj.si/Dokument.php?lang=slv&id=216804 Akademija za likovno umetnost in oblikovanje 0 0 0