20.500.12556/RUL-172743 Izvedba fotografske serije s pomočjo tehnike cianotipije Execution of photo series with cyanotype technique V diplomskem delu smo preučevali proces izdelave fotografske serije ‚Luči vsej sanj‘, s pomočjo tehnike cianotipije, ter njene reprodukcije v fotografski zin in razstavo. Cianotipija je stara tehnika razvijanja fotografij, zato smo želeli preveriti njeno relevantnost v sodobnem oblikovalskem procesu in mediju. Zanimalo nas je, ali lahko v domačem okolju z vsakdanjimi pripomočki ustvarimo enake ali vsaj primerljive rezultate. Prav tako smo želeli preizkusiti, kako se cianotipija obnaša v digitalnem mediju ter kako se njen videz spreminja od optičnega zajema do ponovnega tiska v obliki fotozina ali povečave za fotografsko razstavo. Naš cilj je bil dokazati, da je cianotipijo mogoče ustvariti tudi v neprofesionalnem okolju z osnovno opremo ter pokazati, da se je lahko poslužuje vsakdo in doseže dobre in zadovoljive rezultate. Poleg tega smo želeli digitalizirane odtise reproducirati v fotografsko razstavo in zin, ter pri tem ugotoviti, kako se videz cianotipij spreminja med procesom povečave in tiskanja. Preučevali smo proces postopka cianotipije, pomen in zgodovino zina. V eksperimentalnem delu smo prikazali naš proces izdelovanja cianotipij, določitev idealnega papirja in svetlobe, preloma zina in razstave. Rezultati raziskave potrjujejo, da je s pomočjo digitalno natisnjene tiskovne forme mogoče izdelati kakovostne cianotipije, jih digitalizirati in reprezentirati, kar neznatno vpliva na njihov videz, kot tudi, da jih je mogoče reproducirati v obliki povečav, pri čemer to bistveno ne vpliva na kakovost reprodukcije. The thesis examined the entire process of creating the photographic series ‚The Lights of All Dreams‘ using the cyanotype technique, as well as its reproduction in a photographic zine and exhibition. Cyanotype is an old photographic development technique, so we aimed to assess its relevance in contemporary design processes and media. We were interested in whether comparable or identical results could be achieved in a home environment using everyday tools. Additionally, we wanted to explore how cyanotype behaves in a digital medium and how its appearance changes from optical capture to reprinting as a photo zine or enlargement for a photographic exhibition. Our goal was to demonstrate that cyanotypes can be created in a non-professional environment with basic equipment and to show that anyone can use this technique to achieve good and satisfying results. Furthermore, we sought to reproduce digitized prints in a photographic exhibition and zine, while examining how the appearance of cyanotypes changes during the enlargement and printing process. We studied the cyanotype technique, the meaning and history of zines, and, in the experimental section, documented our process of creating cyanotypes, determining the ideal paper and lighting conditions, and designing the zine and exhibition. The research results confirm that high-quality cyanotypes can be produced using digitally printed negatives, digitized, and represented with minimal impact on their appearance. Additionally, they can be reproduced as enlargements without significantly affecting the reproduction quality. cianotipija fotografska serija fotografski zin razstava reprodukcija cyanotype photographic series photographic zine exhibition reproduction true false false Slovenski jezik Angleški jezik Diplomsko delo/naloga 2025-09-11 09:00:05 2025-09-11 09:00:10 2025-10-21 04:03:02 0000-00-00 00:00:00 2025 0 0 0000-00-00 NiDoloceno NiDoloceno NiDoloceno 0000-00-00 0000-00-00 0000-00-00 1970-01-01 107479 25194.pdf 25194.pdf 1 B36195CF84BFCCB10C55E30B1223722D ab12818b7384a3ce08a84ebb52f9deac19fa40a12c462492bd4174f422eb6929 d3b81f88-8edc-11f0-9328-0050569b8976 https://repozitorij.uni-lj.si/Dokument.php?lang=slv&id=216780 Naravoslovnotehniška fakulteta 0 0 0