20.500.12556/RUL-172107 Jugoslovanska umetnost v Neue Galerie. Trigonska ideja, politike internacionalizma in konstrukcija kulturne identitete v povojnem Gradcu trigonska ideja, politike internacionalizma in konstrukcija kulturne identitete v povojnem Gradcu Yugoslav art in Neue Galerie. The Trigon Idea, the Politics of Internationalism and the Construction of Cultural Identity in Postwar Graz magistrsko delo Avstrijski Gradec se je v šestdesetih letih 20. stoletja začel vzpostavljati kot dinamično kulturno prizorišče. V tem obdobju je v ospredju kulturne politike stala t. i. trigonska ideja – ideološki koncept, ki je skušal vzpostaviti simbolno kontinuiteto prostora nekdanje Notranje Avstrije in utrditi Gradec kot stičišče umetniškega dialoga med Avstrijo, Italijo in nekdanjo Jugoslavijo. Ključni akter pri uresničevanju te kulturne politike je bila graška Neue Galerie, ki je prek Trideželnega bienala Trigon in Mednarodnih slikarskih tednov na Štajerskem predstavljala sodobno umetnost omenjenih držav. Ta posebna delovna politika je omogočala bogato kulturno izmenjavo med Gradcem in Jugoslavijo vse do njenega razpada ter ustvarila obsežen fond povojne umetnosti držav nekdanje Jugoslavije v zbirki Neue Galerie. V magistrski nalogi preučujem odnos med Avstrijo in Jugoslavijo znotraj trigonskega sodelovanja ter analiziram motivacije obeh držav za sodelovanje. Zagovarjam tezo, da je trigonsko sodelovanje temeljilo na asimetriji interesov: avstrijska stran je vodila kulturno izmenjavo utemljeno na simbolni apropriaciji prostora nekdanje Notranje Avstrije, jugoslovanska stran pa je v sodelovanje vstopala predvsem zaradi umetniških, institucionalnih in internacionalnih interesov. Naloga hkrati ponuja celovit vpogled v potek in značilnosti Trigona in Mednarodnih slikarskih tednov na Štajerskem, analizira strukturo in vsebine posameznih bienalnih razstav, opisuje slikarske kolonije in predstavlja zbirko slovenske umetnosti, ki je preko trigonskega delovanja prišla v Neue Galerie. Na podlagi obsežnega arhivskega gradiva, intervjujev in analize kulturne politike obeh držav naloga ponuja kritični vpogled v mehanizme kulturne diplomacije ter prispeva k razumevanju kompleksnih dinamik med umetnostjo, državno in regionalno politiko ter institucionalnimi cilji. In the 1960s, the Austrian city of Graz began to establish itself as a dynamic cultural venue. During this period, the so-called Trigon idea stood at the forefront of cultural policy – an ideological concept that sought to establish a symbolic continuity of the former Inner Austria region and reinforce Graz as a hub for artistic dialogue between Austria, Italy, and the former Yugoslavia. A key player in implementing this cultural policy was the Neue Galerie Graz, which, through the Trigon Tri-National Biennial and the International Painting Weeks in Styria, showcased contemporary art from the aforementioned countries. This unique cultural policy enabled a rich exchange between Graz and Yugoslavia up until the dissolution of the latter, and it created an extensive collection of postwar art from the former Yugoslav countries within the Neue Galerie collection. In my master’s thesis I examine the relationship between Austria and Yugoslavia within the framework of the Trigon collaboration and analyze the participatorial motivations of both countries. I argue that the Trigon collaboration was based on an asymmetry of interests: the Austrian side led the cultural exchange grounded in a symbolic appropriation of the space of former Inner Austria, while the Yugoslav side participated primarily for artistic, institutional, and international benefits. The thesis also offers a comprehensive overview of the development and characteristics of the Trigon Biennial and the International Painting Weeks in Styria. It analyzes the structure and content of individual biennial exhibitions, describes the painting colonies, and presents the collection of Slovenian art that came to the Neue Galerie through Trigon's activities. Based on extensive archival material, interviews, and analysis of the cultural policies of both countries, the thesis offers a critical insight into the mechanisms of cultural diplomacy and contributes to the understanding of the complex dynamics between art, state and regional politics, as well as institutional objectives. Trigon Mednarodni slikarski tedni na Štajerskem Neue Galerie Gradec kulturna politika Avstrijsko-jugoslovanski odnosi Trigon International Painting Weeks in Styria Neue Galerie Graz cultural policies Austrian-Yugoslav relations true false false R. Zupin Slovenski jezik Angleški jezik Magistrsko delo/naloga 2025-09-06 07:15:14 2025-09-06 07:15:41 2025-10-05 03:58:48 0000-00-00 00:00:00 2025 0 Ljubljana 0 Ljubljana 283, [23] f. 0000-00-00 NiDoloceno NiDoloceno NiDoloceno 0000-00-00 0000-00-00 0000-00-00 1970-01-01 7(497.1)"196"(043.2) 589730 248250627 56489.pdf 56489.pdf 1 5CE52170A31D9CF1C452C2FCEEE74134 fa39992f0bbdc20746aa34bc2c5c996e9ba097143148a4b6f6cf5edb8aa290ea 692b7bd8-8ae0-11f0-9328-0050569b8976 https://repozitorij.uni-lj.si/Dokument.php?lang=slv&id=215903 56490.pdf 56490.pdf 1 41152F45908B951F910F0B83F7DB7F8A 5674737c75a701145df5e8e517248212e043b7bbc46e4990c745cd9f36335294 692cf01f-8ae0-11f0-9328-0050569b8976 https://repozitorij.uni-lj.si/Dokument.php?lang=slv&id=215904 56491.pdf 56491.pdf 1 ABF8A15AC44ED2140001D7FFA2B1848D 78bf279b81814faae2551b7219dbb32667c6766c1562e0442e424f537305077e 692d3930-8ae0-11f0-9328-0050569b8976 https://repozitorij.uni-lj.si/Dokument.php?lang=slv&id=215905 56492.pdf 56492.pdf 1 CD1195082AFE2974ACBCABCB601B0869 f304c4e99fcd8b056eb1db00e314a8a3a06bc15992e4f5994c624df961d0acdd 692d7d76-8ae0-11f0-9328-0050569b8976 https://repozitorij.uni-lj.si/Dokument.php?lang=slv&id=215906 56493.pdf 56493.pdf 1 AD50008E331D7B35D699C549C26ADCE1 ea6300f8ac675dde8271012ab74c22c9174f4e6fd4727ae19dafe036eb1ddb25 692dbc49-8ae0-11f0-9328-0050569b8976 https://repozitorij.uni-lj.si/Dokument.php?lang=slv&id=215907 Filozofska fakulteta 0 0 0