20.500.12556/RUL-170745 Sublacija literature in filozofije v Zhuangziju novi modus transkulturne hermenevtike The sublation of literature and philosophy in the Zhuangzi a new mode of transcultural hermeneutics V literaturi se pogosto raziskujejo filozofske teme, ki uvajajo nove metode poglobljenega prikaza problemov obstoja, moralnih dilem in kompleksnosti človeške narave. Avtorji in avtorice uporabljajo strukture, like in simboliko, s katerimi posredujejo ter raziskujejo filozofske ideje, pri čemer neredko ustvarijo bogato interakcijo med obema vedama. Sama filozofija se lahko v literarni obliki izrazi v dialogih, esejih in filozofski fikciji. Takšna literarna izrazna oblika filozofije lahko izboljša razumevanje, s čimer lahko postanejo ab-straktni koncepti bolj razumljivi.Prepletanje filozofije ter književnosti, poetike in analize je dobro opazno pri starokitaj-skem mislecu Zhuangziju. Ta članek poskuša z dialektično interakcijo in konstruktiv-no medsebojno sublacijo literarno-filozofskih elementov v njegovem istoimenskem delu predstaviti novo obliko transkulturne hermenevtike, ki izhaja iz Gadamerjeve ideje zlitja horizontov, ki jo avtorica nadgradi oziroma transformira v nekonceptualno metodo razu-mevanja in interpretacije, kakršna se izraža v procesu združevanja estetskih sfer (ali jingjieronghe 境界融合). In literature, philosophical themes are often explored, introducing new methods for an in-depth representation of problems related to existence, moral dilemmas, and the complexity of human nature. Authors use structures, characters, and symbolism to convey and explore philosophical ideas, often creating a rich interaction between the two fields. Philosophy itself can be expressed in literary forms through dialogues, essays, and philosophical fiction. Such literary expression of philosophy can enhance understanding, making abstract concepts more comprehensible. The intertwining of philosophy and literature, poetics, and analysis is notably evident in the works of the ancient Chinese thinker Zhuangzi. This article attempts to present a new form of transcultural hermeneutics through dialectical interaction and constructive mutual sublation of literary-philosophical elements in his eponymous work, drawing from Gadamer’s idea of the fusion of horizons, which the author further develops or transforms into a non-conceptual method of understanding and interpretation, as expressed in the process of merging aesthetic spheres (or jingjie ronghe 境界融合). kitajska filozofija sublacija transkulturna filozofija primerjalna filozofija metodologija transkulturna hermenevtika jingjie estetske sfere književnost Zhuangzi sublation literature philosophy Zhuangzi jingjie 境界 transcultural hermeneutics true false false Slovenski jezik Angleški jezik Neznano 2025-07-14 10:07:58 2025-07-14 10:08:06 2026-01-27 10:18:31 0000-00-00 00:00:00 2025 0 0 Str. 287-301 Supplement Vol. 13 (29) 2025 0000-00-00 Zaloznikova Objavljeno NiDoloceno 0000-00-00 0000-00-00 2025-01-01 1 2232-5131 242391555 RAZ_Rosker_Jana_S._2025.pdf RAZ_Rosker_Jana_S._2025.pdf 1 18C13AA4E06D0A3A6941512C0B135D33 44775bd4b19c08d105522113a9b4375af1f0d3ab338bfc79ecf3ae889f99f0b1 a646bbaf-6088-11f0-b232-0050569b8976 https://repozitorij.uni-lj.si/Dokument.php?lang=slv&id=212913 https://journals.uni-lj.si/as/article/view/19007 1 bf368733-6087-11f0-b232-0050569b8976 https://repozitorij.uni-lj.si/Dokument.php?lang=slv&id=212911 Filozofska fakulteta Asian studies 0 0 0