20.500.12556/RUL-170235 White Bronco White Bronco V dveh esejih, ki sestavljata diplomsko nalogo – ‘Making the band (2.5x speed)’ in ‘White bronco’, opredeljujem prvotno apropriacijo v razširjenem družboslovnem smislu in sekundarno aplikacijo apropriacije v lastnem delu. ‘Making the band (2.5x speed)’ je zasnovan na primerjavi glasbeno-produkcijskega procesa sampling z umetniško apropriacijo. Interpretacija razvoja teh praks od dobe postmodernizma do sodobnega stanja oziroma metamodernizma – kot ga opredeljujeta Timotheus Vermeulen in Robin van den Akker – predstavlja analizo novih taktik, s katerimi umetnost izraža okoliščine, v katerih nastaja. V ‘White bronco’ pa s formalno in konceptualno analizo ter opisom procesa snovanja in izdelave del opredelim semantično vlogo apropriacije v lastni praksi. V eseju je to razdelano z opisom vloge referenta pri prevzetih podobah, ki sestavljajo moja dela, analizo slikarske tehnike, ki podobe renderira, in končno opredelitvijo vsebine, ki jo ti aspekti vzpostavijo. In the two essays that make up my thesis – ‘Making the Band (2.5x Speed)’ and ‘White Bronco’ – I first analize appropriation in wider sociological context and, secondly, the application of appropriation in my own work. ‘Making the Band (2.5x Speed); is based on a comparison of sampling — the music production techique — with artistic appropriation. An interpretation of the development of these practices, from the era of postmodernism to the contemporary state or metamodernism – as defined by Timotheus Vermeulen and Robin van den Akker – serves as an analysis of new tactics through which art expresses the conditions in which it is created. In ‘White Bronco’ I define the semantic role of appropriation in my own practice, through a formal and conceptual analysis, as well as the description of the process of designing and creating my works. In the essay this is elaborated through a defenition of the role of the referent in the appropriated images used for my works, an analysis of the painting technique that renders the images, and a final analysis of the content established by these aspects. slikarstvo oblikovanje apropriacija postmodernizem metamodernizem diplomska naloga painting design appropriation postmodernism metamodernism BA thesis true false false Slovenski jezik Angleški jezik Diplomsko delo/naloga 2025-07-02 15:28:48 2025-07-02 15:28:53 2025-07-05 03:42:59 0000-00-00 00:00:00 2025 0 0 0000-00-00 NiDoloceno NiDoloceno NiDoloceno 0000-00-00 0000-00-00 0000-00-00 1970-01-01 33846 10672.pdf 10672.pdf 1 532576D3F804CF8027AAAB10EBE26C2B efc51bbbadf32dc11378cbf03f8366780b300b16ad81c39522508a14293d4c93 9b0c1826-5746-11f0-b232-0050569b8976 https://repozitorij.uni-lj.si/Dokument.php?lang=slv&id=212192 Akademija za likovno umetnost in oblikovanje 0 0 0