20.500.12556/RUL-170169 Vizualna interpretacija glasbenih impulzov skozi serijo plakatov Visual interpretation of musical impulses through poster series Diplomsko delo obravnava povezavo med glasbo in vizualnim zaznavanjem in kako zvočni dražljaji sprožajo vizualne in čustvene asociacije. Namen raziskave je bil preučiti sinestetične odzive poslušalcev na glasbene posnetke in ugotoviti, ali obstajajo ponavljajoči se vzorci v zaznavanju barv, oblik, tekstur in čustev ob poslušanju različnih zvočnih vsebin. Poseben poudarek je bil namenjen raziskovanju skladnosti med izraženimi zaznavami in teoretičnimi izhodišči psihologije barv. V raziskovalnem delu je bila uporabljena kombinacija kvantitativne in kvalitativne metode. V sklopu eksperimentalnega dela je bilo posebej za namen raziskave ustvarjenih pet glasbenih posnetkov. Posnetki so bili nato vključeni v spletno anketo, oblikovano z orodjem Google Forms. Vprašanja so bila zasnovana tako, da so zajemala zaznane barve, vizualne elemente, teksture in čustva. Zbrani so bili odgovori 80 anketirancev. Rezultati so pokazali, da glasbeni posnetki pri večini udeležencev sprožajo specifične barvne in čustvene asociacije, pri čemer so se pri posameznih skladbah pojavili jasni vzorci v zaznavanju. Ugotovljeno je bilo, da so ti vzorci pogosto skladni s teorijo psihologije barv in konceptom slušno-vizualne sinestezije. Na podlagi analiziranih rezultatov so bili ustvarjeni plakati, ki s pomočjo barv, oblik in kompozicijskih načel interpretirajo zvok v vizualno umetniško delo ter omogočajo veččutno doživetje. The dissertation examines the relationship between music and visual perception and the way in which auditory stimuli trigger visual and emotional associations. The aim of the research was to investigate synaesthetic reactions of listeners to musical excerpts and to determine whether there are recurring patterns in the perception of colors, shapes, textures and emotions when listening to different sound compositions. Particular attention was paid to examining the correspondence between the perceptions expressed and the theoretical foundations of color psychology. A combination of quantitative and qualitative methods was used for the study. As part of the experimental part, five original musical compositions were created specifically for the purpose of the study. These recordings were then included in an online survey created using the Google Forms tool. The questionnaire was structured to collect data on perceived colors, visual elements, textures and emotions. A total of 80 responses were collected. The results showed that the majority of participants associated certain colors and emotions with the pieces of music, with clear patterns of perception emerging for individual compositions. It was found that these patterns were often consistent with the theory of color psychology and the concept of audiovisual synesthesia. Based on the analyzed results, posters were created that transform sounds into visual artworks using colors, shapes and compositional principles to provide a multi-sensory experience. sinestezija psihologija barv percepcija glasba veččutno oblikovanje synesthesia color psychology perception music multi-sensory design true false false Slovenski jezik Angleški jezik Diplomsko delo/naloga 2025-07-02 13:32:32 2025-07-02 13:32:33 2025-07-04 03:43:34 0000-00-00 00:00:00 2025 0 0 0000-00-00 NiDoloceno NiDoloceno NiDoloceno 0000-00-00 0000-00-00 0000-00-00 1970-01-01 105220 25221.pdf 25221.pdf 1 4C41657642AD7661F8BAFBC0144F2588 378e5b1bdf24bd9d7de3f3a063b77f0722ae40880492fb770e2525ced01b4a1c 5a4e423e-5736-11f0-b232-0050569b8976 https://repozitorij.uni-lj.si/Dokument.php?lang=slv&id=212105 Naravoslovnotehniška fakulteta 0 0 0