20.500.12556/RUL-169906 Reinterpretacija antičnega mita o Amorju in Psihe v Rafaelovi renesančni freski v vili Farnesini Reinterpretation of the Myth of Cupid and Psyche in Raphael's Renaissance fresco in Villa Farnesina V zaključni nalogi se ukvarjam z zgodbo Amorja in Psihe, ki jo je v drugem stoletju našega štetja zapisal rimski pisec Apulej. Zanima me, kako se je motiv upodabljal in interpretiral do obdobja renesanse, v katerem je med prvimi nastal večji cikel obravnavane zgodbe v vili Farnesini v Rimu. Naročilo je za lastnika vile, Agostina Chigija, izvedel Rafael s svojo delavnico in se izbrane literarne podlage le ohlapno držal. Pri analizi izbranega cikla fresk me je zato zanimalo, zakaj se je Rafael le okvirno držal Apuleja in kako si lahko tako upodobljeno zgodbo razlagamo. Prvi del naloge sem tako posvetila razvoju upodabljanja mita v grški in rimski antiki, njegovo ohranitev skozi srednji vek in njegovo ponovno odkritje in novosti v renesansi. Drugi del naloge nato podrobno raziskuje Rafaelovo fresko v vili Farnesini, od osnovnih podatkov in ikonografije do širše ikonološke slike, ki nam poda več možnih interpretacij poslikav. In my thesis, I deal with the story of Cupid and Psyche, which was written by the Roman writer Apuleius in the second century. I am interested in how the motif was depicted and interpreted until the Renaissance period, when one of the first monumental paintings of the story was created in Villa Farnesina in Rome. The commission was carried out by Raphael and his workshop for the owner of the villa, Agostino Chigi, who had only loosely followed the chosen literary text. When analysing the selected cycle of frescoes, I was therefore interested in why Raphael only loosely followed Apuleius’s myth and how can we interpret the story depicted in this way. The first part of the thesis was thus dedicated to the development in the depiction of the myth in Greek and Roman antiquity, its preservation through the Middle Ages and its rediscovery and innovations in art in the Renaissance period. The second part of the thesis then investigates Raphael's frescoes in Villa Farnesina in detail, from basic data and iconography to a broader iconological picture, which gives us several possible interpretations of the painting. Amor in Psihe renesansa Rim ikonografija Rafael Cupid and Psyche Renaissance Rome iconography Raphael true false false Š. Rot Slovenski jezik Angleški jezik Diplomsko delo/naloga 2025-06-15 07:45:47 2025-06-15 07:45:56 2025-06-27 09:42:37 0000-00-00 00:00:00 2025 0 Ljubljana 0 Ljubljana 39 str. 0000-00-00 NiDoloceno NiDoloceno NiDoloceno 0000-00-00 0000-00-00 0000-00-00 1970-01-01 75.04:255.2(043.2) 582343 240625667 51537.pdf 51537.pdf 1 A5793BF6C3E58080439B11E0E7F7567E b13c6e935b61b93f68fcf3e7857f1ea86a700da98246c6330478f95f09f44805 78b57b8a-49aa-11f0-b232-0050569b8976 https://repozitorij.uni-lj.si/Dokument.php?lang=slv&id=211679 Filozofska fakulteta 0 0 0