20.500.12556/RUL-169873 Pristop h konserviranju – restavriranju slik Sandija Červeka Approach to Conserving – Restoring Sandi Červek's Paintings V nalogi so predstavljene raziskave, povezane s konserviranjem-restavriranjem poakodovane slike sodobnega slovenskega umetnika Sandija erveka. Poseben poudarek je na razlikah med pristopi umetnika in konservatorja-restavratorja. Naklju na poakodba slike v zasebni zbirki je omogo ila neposreden stik z umetnikom, ki je sam izvedel sanacijo poakodbe. Skozi intervju, dokumentiran v zvoku in videu, smo raziskali njegov ustvarjalni proces ter ga primerjali s konservatorsko-restavratorskimi metodami, ki sledijo strokovnim smernicam in uporabljajo stabilnejae materiale in postopke. Primerjava obeh procesov je odprla atevilna konservatorsko-restavratorska, filozofska, eti na in pravna vpraaanja. Soo ali smo se s prilagodljivostjo konservatorsko-restavrtorskega pristopa in metod pri sodobni umetnosti, ki pogosto presega tradicionalne materiale in koncepte. Preplet ustvarjalnega procesa, materialov in tehnologij smo podrobneje analizirali na primeru sanacije poakodbe na sliki iz obeh zornih kotov. Poudarjena je vloga sodelovanja med umetniki in konservatorji, ki kot mediatorji skrbijo za ohranitev umetniake dedia ine. Naloga izpostavlja tudi potrebo po razvoju pristopov, ki vklju ujejo tako materialne kot konceptualne vidike sodobne umetnosti. This thesis presents research related to the conservation-restoration of a damaged painting by contemporary Slovenian artist Sandi ervek. It places particular emphasis on the differences between the approaches taken by the artist and the conservator-restorer. An accidental damage to a painting in a private collection enabled direct contact with the artist, who personally carried out the repair. Through an interview, documented in audio and video, the artist’s creative process was explored and compared with conservation-restoration methods that follow professional guidelines and utilize more stable materials and procedures. The comparison of the two processes raised numerous conservation-restoration, philosophical, ethical, and legal questions. The study addressed the adaptability of conservation-restoration methods in the context of contemporary art, which often goes beyond traditional materials and concepts. The interplay of creative process, materials, and technologies was analyzed in greater detail through the example of the painting’s repair from both points of view. The work highlights the importance of collaboration between artists and conservators, who act as mediators in preserving cultural heritage. It also emphasizes the need to develop approaches that consider both the material and conceptual aspects of contemporary art. Sandi Červek sodobno slikarstvo monokromno slikarstvo črne slike konserviranje-restavriranje slik konserviranje sodobne umetnosti intervju z umetnikom konservatorsko-restavratorski intervju Sandi Červek contemporary painting monochrome painting black paintings painting conservation-restoration contemporary art conservation artist interview conservation-restoration interview true false false Slovenski jezik Angleški jezik Magistrsko delo/naloga 2025-06-13 09:00:06 2025-06-13 09:00:13 2025-06-14 04:53:10 0000-00-00 00:00:00 2025 0 0 0000-00-00 NiDoloceno NiDoloceno NiDoloceno 0000-00-00 0000-00-00 0000-00-00 1970-01-01 33800 10701.pdf 10701.pdf 1 54DCAD92FF900305B193A868DBFF536E b6be49131b0631feb194f539cf4da8930fb88b001ff327f2c23bb29af4a8718c 960b9c1b-4822-11f0-b232-0050569b8976 https://repozitorij.uni-lj.si/Dokument.php?lang=slv&id=211624 Akademija za likovno umetnost in oblikovanje 0 0 0