20.500.12556/RUL-169560 Vidno in navidezno: manifestacija fotografije v slikarstvu / Vidno in navidezno: manifestacija fotografije v slikarstvu Visible and Apparent: The Manifestation of Photography in Painting / Visible and Apparent: The Manifestation of Photography in Painting V središče naše raziskave je postavljen odnos med vidnim in navideznim ter posledično, kako referiranje na navidezno ob tem, kar vidimo, oblikuje našo realnost. V povezavi s percepcijo te realnosti nas bo zanimalo, kako se slikarstvo, ki vselej preizprašuje vprašanje vidnega v navezavi z realnostjo, vzpostavlja v primerjavi s fotografijo in njeno vizualno govorico ter kako se odnos med njima kaže v vizualnosti. Oba medija v podobi odstirata, kako naš odnos do vidnega opredeljuje našo zaznavo realnosti. Le-ta je v osnovi mitizirana in prav miti nam omogočajo, da lahko dostopamo do realnosti, kot se nam kaže. Kako realnost, podana na določen način, v podobi sama spregovori o naši poziciji do realnosti? Ob delih Richterja in Kieferja bomo videli, kako v podobi predstavljen pogled lahko zajema neko refleksijo o času in svetu ter njegovi realnosti, hkrati s tem pa ponudi vpogled v to, kar nas določa. A potrditev te vidne realnosti hkrati potrjuje tudi našo eksistenco. To, da se ozremo, pa pogojuje želja, da bi videli; tudi sence mitizirane realnosti morajo najprej postati vidne, se odraziti v svetu podob, da bi jih lahko prepoznali. Tu se namreč realnost in umetnost srečata, tu je prostor za umetniško ekspresijo. The relationship between the visible and the semblance/apperance and how referring to the latter with what we see shapes our reality it will be the subject of our interest. In relation to the perception of this reality, we will be interested in how painting, which always questions the question of what is visible in relation to reality, establishes itself in relation to photography and its visual language, and how this relationship between them manifests itself in visuality. As both mediums through image reveailing how our relationship to visible differ our perception of reality. This one is fundamentally mythicized, it is myths in the first place that allow us to access reality as it appears to us. How does reality given in a certain way, in the image itself, speak about our position towards reality? With the works of Richter and Kiefer, we will see how the view presented in the image can include some reflection on time, the world, its reality and at the same time offer an insight into what defines us. But the confirmation of this visible reality also confirms our existence, the fact that we look around is conditioned by the desire to see, even the shadows of the these mythicized reality must first become visible, reflected in the world of images, in order to be able to recognize them. This is where reality and art come together, it’s where is the room for artistic expression. slikarstvo realnost videznost mit podoba medij fotografije iluzionizem in realizem magistrska naloga painting Reality appearance myth image The medium of photography illusionisem and realism MA thesis true false false Slovenski jezik Angleški jezik Magistrsko delo/naloga 2025-06-04 09:00:09 2025-06-04 09:00:27 2025-06-05 04:44:55 0000-00-00 00:00:00 2025 0 0 0000-00-00 NiDoloceno NiDoloceno NiDoloceno 0000-00-00 0000-00-00 0000-00-00 1970-01-01 33793 10655.pdf 10655.pdf 1 F5DC0842ABD62F929B5244F2F6E0F8EC 3c88296d52b2069c9186af2373eca8ba22a5f7fd8fbbcce35ba32e453a661d3a 48692d2c-4110-11f0-b232-0050569b8976 https://repozitorij.uni-lj.si/Dokument.php?lang=slv&id=211032 Akademija za likovno umetnost in oblikovanje 0 0 0