20.500.12556/RUL-169204 Lesorezne ilustracije misalov 15. in 16. stoletja magistrsko delo Woodcut Illustrations of 15th- and 16th- Century Missals V 15. in 16. stoletju tiskana knjiga postane dostopnejša, vendar pa so misali zaradi namembnosti in rabe latinskega jezika, uporabljajo jih duhovniki pri maševanju, namenjeni ozkemu krogu uporabnikov. Liturgične knjige še vedno predstavljajo vrhunec knjižne produkcije zgodnjih tiskov. Izgled misalov je seveda odvisen od vseh, ki so sodelovali pri nastanku teh pomembnih liturgičnih knjig; od izdelovalca papirja, knjigoveza, ulivalca črk, tiskarja, naročnika, risarja podob in izrezovalca oz. graverja. Obravnavane misale, ki so bili vezani na import, hranijo ljubljanska Narodna in univerzitetna knjižnica, Semeniška knjižnica in knjižnica Narodnega muzeja Slovenije. V misalih za najpomembnejšo in najbolj reprezentativno podobo velja Križanje, ki navadno zaseda prominentno mesto na sredini knjige in je celostranska upodobitev. Izvirnost in kakovost lesoreznega likovnega okrasja variira, misali so lahko razkošno opremljeni in vsebujejo več frontispisnih strani in manjših prizorov v okvirčkih ali inicialah. Včasih je izdelava precej skromna, zgodi se, da manjka celo kanonska slika. Vprašanje, v kolikšni meri je grafika avtorsko delo, ostaja odprto. Za obravnavano obdobje je značilno kroženje grafičnih listov in prerisovanje učinkovitih kompozicij je bilo precej običajno. Knjižne podobe so imele nezanemarljivo vlogo tudi kot grafične predloge v drugih likovnih zvrsteh, denimo kiparstvu in tabelnem slikarstvu. V te likovne medije se prevaja zlasti domiselne kompozicije ali poze. In the 15th and 16th centuries, printed books became more accessible; however, missals, due to their use of the Latin language and their purpose—being used by priests in the celebration of Mass—were intended for a limited circle of users. Liturgical books continued to represent the pinnacle of book production in early print. The appearance of missals was, of course, dependent on all those involved in the creation of these important liturgical books: the paper maker, bookbinder, type-caster, printer, patron, illustrator, and engraver. The discussed missals are preserved in the Ljubljana National and University Library, the Seminary Library, and the library of the National Museum of Slovenia. In missals, the Crucifixion is considered to be the most important and representative image, usually occupying the most prominent position in the centre of the book and being a full-page illustration. The originality and quality of the woodcut decoration varies; missals can be lavishly decorated and include multiple frontispiece pages and smaller scenes within frames or initials. Sometimes the execution is rather modest, and even the canonical image is missing. The question of how much of the graphic work is original remains open. For the period under consideration, the circulation of graphic prints and the copying of effective compositions were quite common. Book illustrations also played a significant role as graphic models in other fine arts, such as sculpture and panel painting. In particular, inventive compositions or poses were often translated into these artistic media. misal inkunabula zgodnji tiski lesorezna ilustracija Križanje missal incunabula early prints woodcut illustration Crucifixion true false false T. Marolt Slovenski jezik Angleški jezik Magistrsko delo/naloga 2025-05-17 07:45:08 2025-05-17 07:45:35 2025-09-05 12:58:44 0000-00-00 00:00:00 2025 0 Ljubljana 0 Ljubljana 190 str. 0000-00-00 NiDoloceno NiDoloceno NiDoloceno 0000-00-00 0000-00-00 0000-00-00 1970-01-01 761.1:27-282.7"14/15"(043.2) 580971 247881475 49113.pdf 49113.pdf 1 2044D9727404AD4976008CCBD9458F1E 82f72f56f8bb212ccc74fc69513669793f808a940ac58cf0f4a9ab31a7065ba6 f05b7443-32e0-11f0-b232-0050569b8976 https://repozitorij.uni-lj.si/Dokument.php?lang=slv&id=210430 Filozofska fakulteta 0 0 0