20.500.12556/RUL-167451 Prostorske zaznave / Prostorske zaznave Spatial perceptions / Spatial perceptions Cilj magistrskega dela je raziskati načine zaznavanja, doživljanja in značilnosti prostora. Dva izraza, ki se omenjata v naslovu dela, sta 'prostor' in 'zaznave', zato sem si prizadevala definirati ta dva pojma skozi teoretično osnovo zgodovinske razlage prostora in njegovih značilnosti pri definiranju pojma prostora v likovni in vizualni umetnosti. Pomembna komponenta pri razlagi prostora so povezave, ki se pojavljajo v relaciji umetnik – umetniško delo – publika. Definiranje ideje in njen prevod v določen medij sta ključna pri odnosu med vsebino in obliko, zato sem v raziskavi uporabila konkretne primere iz zgodovine umetnosti s poudarkom na drugo polovico prejšnjega stoletja in dela sodobne umetnosti. Prostor dela določa tudi način razstavljanja in njegov odnos s publiko, ki se realizira v galerijskem, javnem in zasebnem prostoru. Z lastnim praktičnim delom si prizadevam izkustveno predstaviti idejni proces in ga povezati z obiskovalci, kjer jim, pogojno rečeno, prepuščam izbiro stopnje vključenosti v prehajanju dela skozi medij instalacije. The aim of this master's thesis is to explore the ways in which space is perceived, experienced, and characterized. The two terms mentioned in the title, ‘space’ and ‘perception,’ are defined through a theoretical foundation of the historical interpretation of space and its characteristics when it comes to defining space in the context of visual and fine arts. A crucial component in the interpretation of space is the relationship between the artist, the artwork, and the audience. The definition of an idea and its translation into a specific medium are key to understanding the relationship between content and form. In my research, I have used specific examples from history of art, focusing on the second half of the 20th century and works of contemporary art. The space also defines the way a work is exhibited and its relationship with the audience, which unfolds in gallery, public, and private settings. Through my personal practical work, I seek to represent the conceptual process experientially and connect it with the visitors, offering them, in a conditional sense, the choice of the level of engagement in the movement of the work through the medium of installation. slikarstvo prostor percepcija gibanje interaktivna instalacija performans magistrska naloga painting space perception movement interactive installation performance MA thesis true false false Slovenski jezik Angleški jezik Magistrsko delo/naloga 2025-02-22 09:00:22 2025-02-22 09:00:34 2025-02-23 03:58:58 0000-00-00 00:00:00 2025 0 0 0000-00-00 NiDoloceno NiDoloceno NiDoloceno 0000-00-00 0000-00-00 0000-00-00 1970-01-01 33754 10598.pdf 10598.pdf 1 CE501575DA234FE450BBE52F4A7EDE09 fbd338300f7a46d834dc2a284c297927ea2132906544a153291d65fd8419f16d 330078a4-f0f2-11ef-b232-0050569b8976 https://repozitorij.uni-lj.si/Dokument.php?lang=slv&id=199895 Akademija za likovno umetnost in oblikovanje 0 0 0