20.500.12556/RUL-166642 Zbiranje, hranjenje in razstavljanje umetnin v luči bolj trajnostnega varstva Collecting, preserving and exhibiting art in light of a more sustainable conservation Že iz antike poznana težnja po zbiranju in razstavljanju likovnih umetnin je z vzponom humanizma v Evropi pridobila nove razsežnosti. Poleg sprva cerkvenih in zasebnih zbirk vladarjev, visokega plemstva in premožne meščanske elite se nato v 17. in še posebej v 18. stoletju pojavijo prve večje javne galerijske zbirke umetniških del. Marsikatere od teh galerij in muzejev obstajajo še danes. Njihovo število in tudi obseg umetnin v zbirkah sta se čez desetletja in stoletja močno povečala, ta trend pa se nezadržno nadaljuje. Medtem ko je bila v prvih zbirkah večina del razstavljena, je danes delež takšnih vsaj v večjih ustanovah navadno zelo majhen, saj je večina artefaktov shranjena po depojih in le redko ali sploh nikoli predstavljena obiskovalcem. Hkrati se povečujejo popisi in obseg institucionalnega varstva likovnih umetnin nepremične kulturne dediščine. Za popisovanje, hranjenje, vzdrževanje, konserviranje-restavriranje in monitoring vseh teh umetnin potrebujemo vedno več strokovnjakov, prostora in energije, kar v današnji bolj trajnostno naravnani družbi pomeni velik izziv. Prav tako nastajajo težave z dostopnostjo na turistično močno izpostavljenih lokacijah, saj je treba zaradi škodljivega vpliva na okolje in umetnine število obiskovalcev omejevati. Rešitve se vsaj delno kažejo na različnih področjih: morda v upoštevanju tudi manj antropocentričnih vidikov pri vrednotenju likovne dediščine, dopuščanju možnosti še večje družbene udeležbe pri odločanju o ohranjanju in spremljanju stanja dediščine, nadaljnji digitalizaciji in virtualizaciji likovne dediščine in nasploh v razvoju digitalne humanistike ter zmanjševanju ogljičnega odtisa in energijske porabe v galerijah, muzejih in stavbah nepremične kulturne dediščine. The tendency to collect and exhibit works of art, which had been known since antiquity, took on new dimensions with the rise of humanism in Europe. In addition to the initially ecclesiastical and private collections of rulers, the aristocracy and the wealthy bourgeois elite, the first large public galleries displaying works of art appeared in the 17th and especially in the 18th century. Many of these galleries and museums still exist today. Their number and the volume of works of art in their collections have increased dramatically over the decades and centuries, and this trend is continuing unabated. While most artworks were exhibited in the early collections, today the proportion of artworks on display, at least in the larger institutions, is usually very small, as most artefacts are stored in depots and rarely, if ever, on public display. At the same time, inventories and institutional protection of works of fine art of immovable cultural heritage are increasing. Inventorying, preserving, maintaining, conserving-restoring and monitoring all these works of art requires more and more experts, space and energy, which is a major challenge in today’s more sustainability-oriented society. There are also problems of accessibility in highly touristic locations, where the number of visitors has to be limited because of the harmful impact on the environment and the artefacts. Solutions are at least partially evident in various areas: perhaps taking into account less anthropocentric aspects in the valuation of visual heritage, allowing for even greater social participation in decisionmaking on the preservation and monitoring of the state of heritage, further digitising and virtualising visual heritage and developing digital humanities in general, and reducing the carbon footprint and energy consumption of galleries, museums and immovable cultural heritage buildings. trajnostno varstvo konserviranje umetniške zbirke digitalizacija likovne dediščine ogljični odtis sustainable heritage protection conservation art collections digitisation of art heritage carbon footprint true false true Slovenski jezik Angleški jezik Neznano 2025-01-20 10:19:18 2025-01-20 10:19:19 2025-12-30 13:07:19 0000-00-00 00:00:00 2024 0 0 Str. 169-176, 248-249 0000-00-00 Zaloznikova Objavljeno NiDoloceno 0000-00-00 0000-00-00 0000-00-00 7.01 10.51938/9789612974633 221142019 215497731 Zbiranjehranjenjeinrazstavljanje.pdf Zbiranjehranjenjeinrazstavljanje.pdf 1 3FFDB4050678F89B41402FAAEEB751DB 24062d4ba4038bdcb48f3d7b317ef187977701592f077377b70b27380bffded5 cf2a78ee-d70f-11ef-b232-0050569b8976 https://repozitorij.uni-lj.si/Dokument.php?lang=slv&id=198390 https://ebooks.uni-lj.si/ZalozbaUL/catalog/book/692 1 dbf87de7-d70e-11ef-b232-0050569b8976 https://repozitorij.uni-lj.si/Dokument.php?lang=slv&id=198389 Akademija za likovno umetnost in oblikovanje 0 0 0