20.500.12556/RUL-165192 Umetnost med malimi in velikimi zgodbami Čas, ki ga živimo, je v isti sapi čas velikega konca, velikega začetka in velikega obrata: konca t. i. velikih zgodb (grand récits), začetka veliko obljubljajoče informacijske ere in radikalnega obrata v (samo)pojmovanju postmodernega subjekta. "Konec" ima za posledico kohabitacijo življenjskih različnosti pa tudi izgubo instanc, ki ustoličujejo ideale, imenujejo vire avtoritet in tvorijo dimenzijo kontinuitete in smisla. "Začetek" odpira vrata novim informacijskim realnostim, obenem pa "derealizira" realnost pod našimi nogami. "Obrat" v pojmovanju subjekta prizna in spoštuje človekovo "voljo do moči", obenem pa razbija sleherno iluzijo o človekovi avtonomiji, suverenosti in samoposedovanju. Na eni strani de(kon)strukcija smisla, na drugi resničnosti in na tretji subjekta. Ob tem se tako rekoč samo od sebe zastavlja vprašanje, kakšno vlogo pri opisanih vektorskih premikih v koordinatnem sistemu postmodernega sveta igra umetnost. Še posebej likovna in literarna, ki sta nekdaj - v nacionalnem in internacionalnem pogledu - poudarjeno tvorili simbolično in "metabolično" infrastrukturo najbolj vitalnih kulturnih transformacij. The time we live in is, in the same breath, the time of the great ending, beginning, and turning point, i.e., the ending of the so-called grand stories (grand récits), the beginning of the very promising information age, and the radical turning point in the (self-)comprehension of the postmodern subject. The consequence of the ending is the cohabitation of varieties of existence, but also the loss of institutions that enthrone the ideals, name the sources of authority and form the dimension of continuity and meaning. The beginning opens the door to new information realities, while, at the same time, "derealizing" reality under our feet. The turning point in the comprehension of the subject admits and respects the human desire for power, while, at the same time, shattering every illusion of human autonomy, sovereignty, and self-possession. On the one hand there is de(con)struction of the meaning, one the other of reality, on the third of the subject. This raises the question of the role of art in the described vector shifts in the coordinate system of the postmodern world, particularly of visual and literary arts, which in the past - in national and international respect - emphatically constituted the symbolic and "metabolic" infrastructure of the most vital cultural transformations. umetnost postmoderna velika zgodba derealizacija realnosti šibka misel radikalni historicizem kseroksno stanje kulture metafikcija sociologija kulture art postmodernism grand story weak thought derealization of reality radical historicism "xerox" state of culture metafiction sociology of culture true false true Slovenski jezik Angleški jezik Neznano 2024-11-26 14:10:15 2024-11-26 14:10:19 2024-11-29 11:27:30 0000-00-00 00:00:00 2003 0 0 Str. 685-695 0000-00-00 NiDoloceno NiDoloceno NiDoloceno 0000-00-00 0000-00-00 0000-00-00 316.7"19/20" 71987298 125833472 21-muhovic.pdf 21-muhovic.pdf 1 8CD9B371E5C620940D38576B464BE861 87524f86406e9437c1c5f105c2157d1fb3b3c50a80cc80c8560e261b7d08c221 60614c5d-abf7-11ef-b232-0050569b8976 https://repozitorij.uni-lj.si/Dokument.php?lang=slv&id=196203 https://centerslo.si/simpozij-obdobja/zborniki/obdobja-21/ 0 1e98942b-ae3c-11ef-b232-0050569b8976 https://repozitorij.uni-lj.si/Dokument.php?lang=slv&id=196373 Filozofska fakulteta 0 0 0