20.500.12556/RUL-165082 "Iznenada se je naveličala romanov in otožnih blodenj" Obraz v zrcalu Mire Mihelič v luči evropskega romanopisja Avtorica razpravlja o razmerju med realizmom in drugimi romanopisnimi estetikami v prvencu Mire Mihelič Obraz v zrcalu (1941). V dveh prvih delih romana pisateljica uveljavlja vzorec realističnega romana o meščanskem zakonu in o prešuštvu, kakršen se je razvil v času evropskega realizma in naturalizma ter kakršnega v slovenski književnosti do tedaj še ni bilo. Razpoznavni so zlasti tematski vplivi romana Jane Eyre Charlotte Brontë, Maupassantovega Njenega življenja in Tolstojeve Ane Karenine. Najbolj pa je vplivala - ne samo tematsko, ampak tudi slogovno - Flaubertova Gospa Bovary. Glede pojmovanja romanopisnega pripovedovanja se roman v celoti uvršča v tradicijo realističnega romana zlasti z tehniko personalnega pripovedovalca in z "balzacovskim" incipitom. Zadnja tri dela romana lahko imamo za iskanje bolj osebne literarne poti, saj avtorica "tava" po pestrih možnostih, ki jih ponuja roman kot zvrst, od moralističnega do sentimentalnega romana, vse do ženskega romanopisja tridesetih let. The author discusses the relationship between realism and other novelistic aesthetics in Mira Mihelič's first novel Obraz v zrcalu (1941). In first two parts of the novel Mihelič introduces the pattern of the realistic novel about urban marriage and adultery that developed during European Realism and Naturalism and had not previously existed in Slovene literature. Particularly recognizable thematic influences are those of Charlotte Brontë's novel Jane Eyre, Maupassant's Her Life and Tolstoy's Ana Karenina. The strongest influence - not only thematic, but also stylistic - had been Flaubert's Madame Bovary. With respect to the conception of novelistic narrative the novel entirely fits into the tradition of the realistic novel, particularly with the technique of personal narrator and with a "Balzacian" incipit. The last three parts of the novel can be considered a pursuit of more personal literary path, as the author "fumbles" for various options that the novelistic genre has to offer, from moralistic, sentimental to the women's novel of the 1930's. slovenska književnost slovenski roman evropska književnost evropski roman literarni vplivi realizem romanopisje literarne študije M. Mihelič Obraz v zrcalu Slovene literature Slovene novel European literature European novel literary influence novel writing M. Mihelič Obraz v zrcalu true false true Slovenski jezik Angleški jezik Neznano 2024-11-22 12:09:44 2024-11-22 12:09:49 2024-11-23 04:05:38 0000-00-00 00:00:00 2003 0 0 Str. 499-509 0000-00-00 NiDoloceno NiDoloceno NiDoloceno 0000-00-00 0000-00-00 0000-00-00 821.163.6.09-31:821(4).091 71958114 125833472 21-gacoin.pdf 21-gacoin.pdf 1 0B224843F6830950FCD1DAF341EF2DD6 e497b5c0e7c9bd859eba15f52345041f92d836de5c903e4de5ce96dd3b57ae19 e3b68bfc-a8c1-11ef-b232-0050569b8976 https://repozitorij.uni-lj.si/Dokument.php?lang=slv&id=196041 https://centerslo.si/simpozij-obdobja/zborniki/obdobja-21/ 0 58d240ea-a8c3-11ef-b232-0050569b8976 https://repozitorij.uni-lj.si/Dokument.php?lang=slv&id=196046 Filozofska fakulteta 0 0 0