20.500.12556/RUL-164906 Psihološki mehanizmi v Flisarjevem romanu Velika žival samote ali Zakaj se ljudje bojijo literature V zgodovini ni bilo obdobja brez medčloveške zlorabe, spreminjajo se le zunanji izrazi tendence posameznika, da brezno psihične bolečine zapolni s povzročanjem škode drugemu. Zlorabljeni vedno najde nekoga, da ga zlorablja, včasih pa igra tudi obe vlogi hkrati. Flisar avtentično naslika krog zlorabe v družini, o katerem piše tudi strokovna psihološka literatura: človeka z iracionalno kompulzivno slo, ki ga žene v odvisnost in zlorabo, žensko, ki je od takega človeka odvisna, in otroka, ki mu skupaj vsajata v psiho svoje strahove. Posebne literarnoteoretske pozornosti je vredna edinstvena perspektiva pripovedi: dogajanje opazujemo skozi naivne sinove oči, pri čemer spremljamo resničnost, sanje in "sanje", specifičen avtorski prijem pa bralcu omogoča, da ve in vidi več kot glavni junak, ki zgodbo pripoveduje. Zanimiva je razlika med učinkom literarne in strokovne obravnave te problematike na bralca, v zvezi s tem pa vprašanje, zakaj se bralci v iskanju "višjega znanja" ne poglobijo v umetniško, temveč raje v popularistično psihološko literaturo. In the course of history there was not one period without human abuse. The only change is the external manifestation of the tendency of the individual to fill the gulf of psychological pain by causing harm to the other. The abused always finds somebody to abuse, and sometimes (s)he plays both roles at the same time. Flisar authentically paints the circle of abuse in the family, which is also described in technical psychological literature: a person with an irrational compulsive sexual desire, which pushes him into dependency and abuse, a woman dependent on that person, and a child on whose psyche these two people impose their own fears. Of a particular literary-theoretical interest is the unique perspective of the narrative: the reader follows the action through naive son's eyes, following reality, dreams, and "dreams", while the specific author's approach allows the reader to know and see more than the main character who is telling the story. The difference between the effect that the literary and technical treatments of this subject have on the reader is also interesting, and in relation to that the question, why the readers in their search of "higher knowledge" do not immerse themselves in the artistic, rather than in the popularized psychological literature. slovenska književnost slovenski roman psihološki roman tabu zloraba v družini sanje pripovedna perspektiva popularna psihologija literarne študije E. Flisar Velika žival samote Slovene literature Slovene novel psychological novel taboo family abuse dreams narrative perspective popular psychology E. FLisar Velika žival samote true false true Slovenski jezik Angleški jezik Neznano 2024-11-15 12:40:06 2024-11-15 12:40:11 2024-11-22 14:56:37 0000-00-00 00:00:00 2003 0 0 Str. 301-310 0000-00-00 NiDoloceno NiDoloceno NiDoloceno 0000-00-00 0000-00-00 0000-00-00 821.163.6.09-311.1 71819362 125833472 21-peserl.pdf 21-peserl.pdf 1 9E50B7A5E536EB3B868E4029F1F1AEC0 a07afaea74ba0e6a71486be54ee23e4909d9bd61e9f9076401f471a5ac1aaff6 009c86e9-a346-11ef-b232-0050569b8976 https://repozitorij.uni-lj.si/Dokument.php?lang=slv&id=195748 https://centerslo.si/simpozij-obdobja/zborniki/obdobja-21/ 0 6748e506-a347-11ef-b232-0050569b8976 https://repozitorij.uni-lj.si/Dokument.php?lang=slv&id=195753 Filozofska fakulteta 0 0 0