20.500.12556/RUL-164388 Reproduktivne pravice in materinstvo v evropskem in slovenskem celovečernem filmu po gibanju #jaztudi (2019–2024) magistrsko delo Reproductive rights and motherhood in European and Slovenian feature films after the #MeToo movement (2019–2024) Magistrsko delo analizira reprezentacijo ženskih reproduktivnih pravic in materinstva v evropskem in slovenskem filmu po začetku gibanja #jaztudi. V temo sprva zareže skozi zgodovino evropske kinematografije in reprezentacije žensk na filmu ter znotraj polja avtorskega filma nakaže na konceptualne zagate, feministične kritike in vprašanja patologizacije, stigmatizacije in tabuizacije ženskih telesnih realnosti. Po orisu teoretskih leč zgodovinskega, feminističnega in fenomenološkega branja filma se obrne tudi k vprašanju ženskega filma in pogleda v relaciji do narativnih tropov in žanra. Preko vizualne in narativne analize desetih evropskih filmov, izdanih med leti 2019 in 2024, nastalih pod režijsko taktirko režiserk, nato razišče vprašanje, kako evropski igrani film uokvirja naše razumevanje, pričakovanja, predsodke in tesnobo do ženskih reproduktivnih pravic. Delo tako prek analize arhetipov materinstva, medikalizacije ženskega telesa in ženskih reproduktivnih realnosti, kakršne so nosečnost, porod, splav in poporodna depresija, raziskuje kako sodobni (ženski) film odpira nove diskurze, razbija vzpostavljene mite in na novo artikulira žensko doživljanje lastnega telesa. Pri tem ugotavlja, da postaja polje materinskega in reproduktivnega diskurza vse bolj odprto, kompleksno in raznoliko, njegovi narativni, vizualni in žanrski načini upodabljanja pa izrazito hibridni, subverzivni in odklonski od ustaljenih konvencij. The Master's thesis analizes the representation of women's reproductive rights and motherhood in European and Slovenian films after the #MeToo movement. Initially, it delves into the topic through the history of European film and within the field of auteur cinema points to conceptual conundrums, feminist criticism and social issues of pathologization, stigmatization and taboos surrounding female bodily realities. Following the outline of the theoretical lenses of historical, feminist and phenomenological readings of film, it turns to the question of women's film and its female gaze in relation to narrative tropes and genre, before moving towards a visual and narrative analysis of ten women-directed European films released between 2019 and 2024, that explore the question of how European feature films frame our understanding, expectations, prejudices and anxieties about women's reproductive rights. Through the analysis of archetypes of motherhood, the medicalization of the female body and female reproductive realities, such as pregnancy, birth, abortion and postpartum depression, the thesis explores how contemporary (women's) cinema opens up new discourses, breaking established myths and articulating women's experiences of their bodies anew. In doing so, it notes that the field of maternal and reproductive discourse is becoming more open, complex and diverse, while its narative, visual, and genre modes of representation are distinctly hybrid, subversive, and deviate from established conventions. evropski film materinstvo reproduktivne pravice slovenski film ženski pogled European film motherhood reproductive rights Slovenian film female gaze true true false V. Zakonjšek Slovenski jezik Angleški jezik Magistrsko delo/naloga 2024-10-24 08:30:02 2024-10-24 08:30:10 2024-11-22 14:54:09 0000-00-00 00:00:00 2024 0 Ljubljana 0 Ljubljana 1 spletni vir (1 datoteka PDF (76 str.)) 0000-00-00 NiDoloceno NiDoloceno NiDoloceno 0000-00-00 0000-00-00 0000-00-00 342.7-055.2:791(4+497.4)(043.2) 169478 216089347 17377.pdf 17377.pdf 1 109D30E560C37042A76C475AD790F041 078b94b4c4b61f9f8362c1562d8c856ef06286a3b10945fb30d40508820fa6d5 26d5b12b-91d1-11ef-b232-0050569b8976 https://repozitorij.uni-lj.si/Dokument.php?lang=slv&id=194743 Fakulteta za družbene vede 0 0 0