20.500.12556/RUL-163677 Razbijanje tradicije skozi objektiv feministično gibanje in fotografija v Parizu v šestdesetih in sedemdesetih letih Breaking tradition through the lens the Feminist Movement and Photography in Paris in the 1960s and 1970s Diplomsko delo obravnava vlogo fotografinj v Parizu v obdobju intenzivnega feminističnega gibanja v šestdesetih in sedemdesetih letih prejšnjega stoletja, znanega kot drugi feministični val. Medtem ko je prvi val feminizma osredotočal na pridobitev volilne pravice, so se feministke drugega vala posvetile širšim družbenim vprašanjem, kot so spolnost, družinsko življenje, delovni pogoji in reproduktivne pravice. V Franciji so te spremembe poganjale ženske iz progresivnih političnih krogov, ki so zagovarjale materialistično kritiko z namenom spreminjanja zakonodaje, politik in institucij. Delo izpostavlja, kako so v tem obdobju fotografinje prispevale k feminističnemu gibanju ne le z dokumentiranjem dogajanj, temveč tudi z aktivnim sodelovanjem pri preoblikovanju družbenih predstav o ženskah. Kljub temu da je bila vloga fotografije pri vizualizaciji družbenih gibanj doslej premalo raziskana, se je v obdobju množične uporabe fotografije njena apropriacija s strani žensk izkazala kot ključna za širjenje feminističnih idej. Cilj naloge je osvetliti prispevek fotografinj k temu gibanju ter pokazati, kako so njihova dela vplivala na družbene spremembe. The thesis examines the role of female photographers in Paris during the period of intense feminist movement in the 1960s and 1970s, known as the second wave of feminism. While the first wave of feminism focused on obtaining the right to vote, the feminists of the second wave addressed broader social issues such as sexuality, family life, working conditions, and reproductive rights. In France, these changes were driven by women from progressive political circles who advocated for a materialist critique aimed at transforming legislation, policies, and institutions. The thesis highlights how, during this period, female photographers contributed to the feminist movement not only by documenting events but also by actively participating in reshaping social perceptions of women. Despite the fact that the role of photography in visualizing social movements has been under-researched, the appropriation of photography by women during this period of mass use proved to be crucial for disseminating feminist ideas. The aim of the thesis is to shed light on the contribution of female photographers to this movement and to show how their work influenced social change. fotografija feminizem drugi val feminizma fotografinje Francija photography feminism second wave of feminism female photographers France true false false [U. Sever] Slovenski jezik Angleški jezik Diplomsko delo/naloga 2024-10-10 08:16:05 2024-10-10 08:16:14 2025-08-12 11:51:10 0000-00-00 00:00:00 2024 0 Ljubljana 0 Ljubljana 45 f. 0000-00-00 NiDoloceno NiDoloceno NiDoloceno 0000-00-00 0000-00-00 0000-00-00 77.071.1-055.2:141.72(44)"1960/1970"(043.2) 560881 245443587 44792.pdf 44792.pdf 1 3249A07699570AE946F7C00DCAEAF0ED ca87ebd1904f1a93ec277cbae554bb0d59f9f7ccb7f968b1ae10bebb419e9714 f87acaa4-86ce-11ef-b232-0050569b8976 https://repozitorij.uni-lj.si/Dokument.php?lang=slv&id=193552 Filozofska fakulteta 0 0 0