20.500.12556/RUL-163200 Samocenzura, družinske interpretacije in vpliv uradne pripovedi na avtobiografije žensk Self-censorship, family interpretation and the influence of legitimate narrative on autobiographies of women Članek primerjalno analizira avtobiografije treh žensk, Elvire Dolinar, Minke Govekar in Marice Bartol. Njihovi spominski zapisi so umeščeni v kontekst žanra slovenske avtobiografije, ki se je razvil konec 19. stoletja. Vse tri sodijo med protagonistke slovenskega ženskega gibanja, bile pa so tudi pisateljice, prevajalke in publicistke. V članku je predstavljena njihova interpretacija lastne življenjske zgodbe, tematizirane so pripovedi in argumentacije ter stil pripovedi, ki se včasih izreka, včasih pa molči o pomembnih življenjskih odločitvah. Njihove življenjske zgodbe so postavljene v širši zgodovinski kontekst, hkrati pa je njihova interpretacija lastne zgodbe soočena z interpretacijami njihovih življenj v očeh njihovih družinskih članov in z »uradno pripovedjo«. V tem okviru azprava pokaže, kako lahko v besedilu prepoznamo samocenzuro in kaj je bil njen predmet, prikazane pa so tudi tematske sorodnosti besedil ter razlike med njimi. This article presents a comparative analysis of the autobiographies of Elvira Dolinar, Minka Govekar, and Marica Bartol, analyzing them in the context of the Slovenian autobiographical genre that developed at the end of the nine-teenth century. All three women were protagonists of the Slovenian women’s movement, active as writers, translators, and publicists. The analysis presents their interpretations of the life story, along with a thematization of their nar-ratives and argumentations, as well as the style of the narrative, which some-times speaks openly about important life decisions and sometimes remains silent. In this context, the broader historical context is also considered. Their interpretations of life stories are compared to the corresponding interpreta-tions of their lives by family members and the “official narrative.” Within this framework, it will become evident how self-censorship can be discerned in the texts and what its goal was. It will be shown that in cases of self-censorship, there are similar but also different themes that are subject to self-censorship, and these will be explored through “different versions of the story.” slovenska književnost slovenske pisateljice 19. st. avtobiografija samocenzura Slovenian literature Slovenian women writers 19th cent. autobiography self-censorship true false true Slovenski jezik Angleški jezik Licenca Creative Commons je navedena na spletnem mestu revije (glej https://ojs-gr.zrc-sazu.si/primerjalna_knjizevnost/about): "Primerjalna književnost je ponujena pod licenco Creative Commons, priznanje avtorstva 4.0 international". (Datum opombe 9. 10. 2024). Članek v reviji 2024-10-04 10:20:18 2024-10-04 10:20:20 2024-10-09 14:57:07 0000-00-00 00:00:00 2023 0 0 Str. 151-167 št. 1 Letn. 46 maj 2023 0000-00-00 Zaloznikova Objavljeno NiDoloceno 0000-00-00 0000-00-00 0000-00-00 821.163.6.09"18":305-055.2 0351-1189 10.3986/pkn.v46.i1.09 155464195 RAZ_Selisnik_Irena_2023.pdf RAZ_Selisnik_Irena_2023.pdf 1 3FAAD58C9A45EE00D8A9CEEA44472583 15a13af200b1d45cb102618e61a4e0977ffd1f60ed48bd8b14fd1261501c2d48 433e8f09-822a-11ef-b232-0050569b8976 https://repozitorij.uni-lj.si/Dokument.php?lang=slv&id=192761 https://ojs-gr.zrc-sazu.si/primerjalna_knjizevnost/article/view/8293 0 557979a8-8229-11ef-b232-0050569b8976 https://repozitorij.uni-lj.si/Dokument.php?lang=slv&id=192760 Filozofska fakulteta 0 0 0