20.500.12556/RUL-163120 Telo v preobrazbi: analiza umetniške prakse Cindy Sherman in Claude Cahun / Telo v preobrazbi Body in transformation: an analysis of artistic praxis of Cindy Sherman and Claude Cahun / Body in transformation V magistrski nalogi se ukvarjam s samoreprezentacijo preko rabe lastnega telesa v vizualni umetnosti. Znotraj te me še posebej zanima, kako v tovrsten pristop umetnosti vpeljati diskurz identitete na način, da je ta specifičen življenjskim izkušnjam in interesom avtorjev-_ic. V teoretskem delu najprej opišem pojem identitete, znotraj katerega se nato bolj osredotočim na diskurze o identiteti in identitetnih politikah v umetnosti, sestavo sebstva, Harrérov model osebe, žensko identiteto in samoreprezentacijo. Nato analiziram delo umetnic, kot sta Cindy Sherman in Claude Cahun znotraj polja fotografije, ter Nicole Eisenman, Frida Kahlo in Christina Quarles, katerih pristop do ustvarjanja vključuje elemente, ki so mi blizu in se jih morebiti tudi sama poslužujem znotraj lastne umetniške prakse. Zanima me, kako se znotraj svojih del poslužujejo samoreprezentacije, na kakšen način prikazujejo lastno podobo, ali z njo želijo črpajo iz avtobiografskih narativov ali pa želijo upodabljati povsem druge zgodbe ter kaj želijo s tem komunicirati gledalcu. Nazadnje bom opravljeno raziskavo navezala še na utemeljitev lastne umetniške prakse. My master's thesis revolves around self-representation through the use of one's own body in visual arts. I am particularly interested in how to introduce the discourse of identity into this kind of approach to art in such a way that is specific to the life experiences and interests of its authors. In the theoretical part, I first dedicate a few words to the definition of the concept of identity, which I then narrow down to discourses about identity and identity politics in art, the structure of the self, Harré's model of the person, female identity and self-representation. I then analyze the photographic work of Cindy Sherman and Claude Cahun, as well as paintings of Nicole Eisenman, Frida Kahlo and Christina Quarles, whose approach to artistic creation includes elements that are similar to my own artistic praxis. I am interested in how they use self-representation within their works, in what way they portray their own image, whether they want to draw from autobiographical narratives or portray completely different stories and lastly, what they want to communicate to the viewer. Finally, I will link the completed research to the justification of my own artistic practice. slikarstvo identiteta samoreprezentacija sebstvo magistrska naloga painting identity self-representation selfhood/self MA thesis true false false Slovenski jezik Angleški jezik Magistrsko delo/naloga 2024-10-02 09:00:21 2024-10-02 09:00:23 2024-10-07 03:35:55 0000-00-00 00:00:00 2024 0 0 0000-00-00 NiDoloceno NiDoloceno NiDoloceno 0000-00-00 0000-00-00 0000-00-00 1970-01-01 32497 8820.pdf 8820.pdf 1 BF1C4B77ED4F3D8DB40F4AF1AB37E1E2 9f4cfb4580c8cc238a22650c0685eb1b4729d718a8d3ffb7dd2ca525d0cabb72 d6412099-808b-11ef-b232-0050569b8976 https://repozitorij.uni-lj.si/Dokument.php?lang=slv&id=192599 Akademija za likovno umetnost in oblikovanje 0 0 0