20.500.12556/RUL-163106 Banalni harmonikalizem: stereotipizacija slovenstva v glasbeni oddaji Slovenski pozdrav diplomsko delo Banal accordionalism: stereotyping of Slovenian identity in the music show "Slovenski pozdrav" Od njenega izuma dalje velja harmonika za kamen spotike tako v samem zvočnem in glasbenem smislu kot tudi pojmovnem in ideološkem. Skozi zgodovino so se ideje okoli tega inštrumenta vedno spreminjale. Harmonika je dandanes v slovenski družbi splošno znan simbol slovenstva. Gre za ponos in ikono narodnozabavne glasbe, ki je pogosto dojeta tudi kot nadaljevanje ljudske glasbe, pri njenih uporabnikih pa tudi kot bolj »domača« in bolj slovenska kot ostale glasbene zvrsti oz. inštrumenti. Je Slovenija dežela »emancipatorjev« harmonike ali ji na dolgi rok pravzaprav tovrstna pozornost škodi? Teoretski pojem banalni harmonikalizem poskuša zajeti in razložiti konotacije, ki se oblikujejo okoli harmonike in nanjo lepijo, pri čemer igrajo mediji eno pomembnejših vlog in imajo pri produkciji pomenov velik vpliv, še zlasti v obdobju, ko poslušalci postanejo gledalci in glasbo gledajo bolj kot poslušajo. Narodnozabavna glasba ima ugodne kulturne, politične, tehnične, ekonomske in druge pogoje za razvoj. Ansambli so predstavljeni kot velika homogena skupina, ki so povezana s svojo folkloro in tradicijo, ter ponosni na svojo narodno identiteto. Hkrati pa s poudarjenim tradicionalizmom, stereotipizacijo podob in izključevanjem postaja tovrstna glasba monokulturen, zaprt in rigiden sistem. Ever since its invention, the accordion has been a stumbling block both in terms of its sonic and musical aspects, as well as its conceptual and ideological ones. Throughout history, ideas about this instrument have continuously evolved. Today, the accordion is a widely recognized symbol of Slovenian identity. It represents pride and an icon of Oberkrainer music, often perceived as a continuation of traditional folk music, and among its users, it is seen as more "homegrown" and Slovenian compared to other musical genres. Is Slovenia a land of accordion "emancipators", or does such attention harm it in the long run? The theoretical concept of banal accordionalism aims to capture and explain the connotations that form around the accordion and are attached to it, with media being one of the key mechanisms that significantly influence the creation of meanings, especially in an era when listeners become viewers and music is watched more than what it is heard. Oberkrainer music benefits from favourable cultural, political, technical, economic, and other conditions for development. Oberkrainer bands are presented as a large homogeneous group connected by their folklore, tradition, and pride in their national identity. However, with its emphasized traditionalism, stereotypical imagery, and exclusionary practices, it becomes a monocultural, closed, and rigid system. harmonikalizem mitologije banalni nacionalizem diskurz narodnozabavna glasba accordionalism mythologies banal nationalism discourse Oberkrainer music true true false J. Cucek Slovenski jezik Angleški jezik Diplomsko delo/naloga 2024-10-02 08:30:56 2024-10-02 08:31:02 2024-11-18 10:10:46 0000-00-00 00:00:00 2024 0 Ljubljana 0 Ljubljana 1 spletni vir (1 datoteka PDF (54 str.)) 0000-00-00 NiDoloceno NiDoloceno NiDoloceno 0000-00-00 0000-00-00 0000-00-00 784.69:316.7(497.4)(043.2) 168890 215341571 17067.pdf 17067.pdf 1 9CC236F1AFE6CC92092F6FB3EFFDC14E 47356a40d106f65e336076efa10bf1d8e1a988b77de57d15cce8950431f667f4 bc9f229b-8087-11ef-b232-0050569b8976 https://repozitorij.uni-lj.si/Dokument.php?lang=slv&id=192584 Fakulteta za družbene vede 0 0 0