20.500.12556/RUL-162646 Teorija o rasah v filozofiji kašmirskega šivaizma The Rasa Theory in the philosophy of Kashmir Shaivism Diplomska naloga obravnava teorijo o rasi ali estetskem izkustvu znotraj sistema monističnega kašmirskega šivaizma, filozofskega sistema tantrične tradicije, ki kot ontološki temelj postavlja absolutno Zavest, kot Absolut pa boga Šivo, katerega temeljna narava je prav Zavest. Izhaja iz predpostavke, da se ontologija in estetika monističnega kašmirskega šivaizma tesno prepletata. Diplomsko delo se posebej osredotoči na doprinos Abhinavagupte, indijskega filozofa, mistika in estetskega teoretika iz druge polovice 10. in prve polovice 11. stoletja, k teoriji o rasi, in poudari njegov fenomenološki pristop k doživljanju estetskega izkustva. Osrednji del diplomske naloge skozi različne tematske sklope in bistvene elemente rase predstavi njegova izhodišča ter jih primerja s pozicijami njegovih predhodnikov, na čelu z Bharato, avtorjem dela Nāṭyaśāstra, enega najpomembnejših indijskih del o dramaturgiji. Diplomsko delo prav tako razpravlja o povezavi med estetskim izkustvom in osvoboditvijo, čemur se natančneje posveča na koncu, v poglavju o estetskem izkustvu spokojnosti, śānta rasi. The diploma thesis examines the Rasa Theory or the Aesthetic Experience within the framework of monistic Kashmir Shaivism, the philosophical system of the tantric tradition that takes Absolute Consciousness as its ontological foundation and identifies God Shiva, whose fundamental nature is Consciousness itself, as the Absolute. It is based on the assumption that the ontology and aesthetics of monistic Kashmir Shaivism are closely intertwined. The thesis focuses particularly on the contribution of Abhinavagupta, an Indian philosopher, mystic and aesthetic theorist of the second half of the 10th century and the first half of the 11th century, to Rasa Theory, and emphasises his phenomenological approach to aesthetic experience. The main part of the thesis presents his premises through various thematic sections and essential elements of Rasa, comparing them with the positions of his predecessors, notably Bharata, the author of the Nāṭyaśāstra, one of the most significant Indian works on dramaturgy. The thesis also explores the connection between aesthetic experience and liberation, elaborating on this topic in the concluding chapter on the aesthetic experience of serenity, śānta rasa. indijska estetika indijska filozofija monistični kašmirski šivaizem estetsko izkustvo Abhinavagupta Indian aesthetics Indian philosophy monistic Kashmir Shaivism aesthetic experience Abhinavagupta true false false N. Drašković Slovenski jezik Angleški jezik Diplomsko delo/naloga 2024-09-26 07:47:06 2024-09-26 07:47:08 2025-01-31 10:24:12 0000-00-00 00:00:00 2024 0 Ljubljana 0 Ljubljana 47 str. 0000-00-00 NiDoloceno NiDoloceno NiDoloceno 0000-00-00 0000-00-00 0000-00-00 1970-01-01 233.3:111.852(043.2) 556445 224659715 40583.pdf 40583.pdf 1 9877A338EDE1AD69C4B1BAEC0290855C 1a8d7f9b76a286f91f510bb4e97c424ab15d5c2cf3e44db3447413cbf77d1402 a4e24fdf-7bca-11ef-b232-0050569b8976 https://repozitorij.uni-lj.si/Dokument.php?lang=slv&id=192051 Filozofska fakulteta 0 0 0