20.500.12556/RUL-162474 Dramaturška analiza kot raziskovalno izhodišče za preučevanje prava Dramaturgical analysis as a methodology for the study of law Magistrska naloga raziskuje potencial, ki ga ima dramaturška analiza, tj. jezik gledališča na pravno raziskovanje. Za osnovo služi Goffmanovo delo Predstavljanje sebe v vsakdanjem življenju. Namen magistrskega dela ni trditev, da je pravo mogoče opisati samo z gledališkim jezikom, temveč da so gledališki koncepti le eden izmed načinov ali vidikov opisovanja in razlage prava. Za začetek tezo raziščem z vidika socioloških teoretikov, zgodovino in opišem metodologijo, iz katere izhaja magistrsko delo, hkrati pa sem že predhodno tudi kritičen do lastnega pristopa. Nato neposredno apliciram Goffmanove koncepte na pravo. Mednje sodi koncept nastopanja, med katere sodi v glavnem koncept vere, maske, realnost, narejenost, idealizacija, mistifikacija itd. in zavajajoče predstavljanje. Za vsak koncept skušam najti primer znotraj prava, ki ga potrjuje. Nato pišem o pravnih in protipravnih ekipah, o tem kako funkcionirajo na območjih ospredja in zakulisja ter o tem, kako funkcionirajo člani ekipe med seboj in v odnosu do druge ekipe. Za konec zelo na kratko spregovorim o različnih, zlasti, neskladnih vlogah. The master's thesis explores the potential of dramaturgical analysis, i.e. the language of theater to legal research, with Goffman's work Presenting oneself in everyday life serving as a basis. The purpose of the Master's work is not to claim that law can only be described with theatrical language, but rather that theatrical concepts are only one of the ways or aspects of describing and explaining law. To begin with, I research the thesis from the point of view of sociological theorists, history and describe the methodology from which the master's thesis is based, but at the same time I am also critical of my own approach beforehand. I then directly apply Goffman's concepts to law. Among them is the concept of performance, which mainly includes the concept of faith, masks, reality, made-up, idealization, mystification, etc. and misrepresentation. For each concept, I try to find an example within the law that confirms it. I then wrote about legal and illegal teams, how they function in the front and backstage areas, and how team members function with each other and in relation to the other team. Finally, I speak very briefly about the different roles, especially the discrepant ones. dramaturška analiza pravo interakcionizem Goffman nastopanje ekipe ospredje ozadje zavajajoče predstavljanje vloga maska dramaturgical analysis law interactionism Goffman performance teams foreground background misrepresentation role mask true false false Slovenski jezik Angleški jezik Magistrsko delo/naloga 2024-09-24 09:00:48 2024-09-24 09:00:56 2024-10-24 11:47:06 0000-00-00 00:00:00 2024 0 0 0000-00-00 NiDoloceno NiDoloceno NiDoloceno 0000-00-00 0000-00-00 0000-00-00 121458 212819971 18739.pdf 18739.pdf 1 553F93C1B1891BD804D999F768A83A15 63287acf7ac27eb8acbcd0a4d383b6a15ff90e456af44273ea11b467dbf85d86 a09298f9-7a42-11ef-b232-0050569b8976 https://repozitorij.uni-lj.si/Dokument.php?lang=slv&id=191814 Pravna fakulteta 0 0 0