20.500.12556/RUL-162049 Položaj tradicionalnih tehnik animacije v času razvoja digitalnih tehnologij / Nov svet, nova sled The position of traditional techniques of animation in the time of developement of digital technologies / New world, new trace Kaj je tisto kar me je pred desetimi leti pritegnilo k ustvarjanju animiranih filmov? Zame je magičnost sposobnosti animacije, da oživi neživo okoli nas. Koliko te magičnosti se je ohranilo z razvojem digitalnih tehnik animacije, s pomočjo katerih danes ustvarjamo spektakularne a povsem virtualne svetove, ki nimajo več stika z resničnim svetom. Z razvojem digitalnih tehnologij se je spremenila definicija animiranega filma, ki ga danes ni treba več izdelovati 'sličico za sličico', ampak ga proizvedemo hitreje in lažje kot kadarkoli prej. S pomočjo digitalnih tehnologij ustvarjamo čedalje bolj realistične in osupljive virtualne svetove. Zanima me ali je eden glavnih namenov animacije zgolj popolna potopitev gledalca v virtualno ustvarjen svet. Navkljub vsemu, kar ponujajo digitalne tehnologije, se tradicionalne tehnike animacije danes še vedno ohranjajo, tako kot se z njihovo materialnostjo na nek način ohranja stik z realnimi problemi sveta in posameznikov, čeprav gre pri njih tudi za kreiranje umetelnih svetov. Tako me v magistrskem delu zanima predvsem, kakšna sta danes, v poplavi digitalno ustvarjenih podob, vloga in položaj tradicionalnih tehnik animacije. Za uporabo tradicionalne tehnike, in sicer stop-motion snemalne tehnike, sem se odločila tudi pri praktičnem delu magistrske naloge. Ta tehnika se mi zdi najbolj primerna za ekološko tematiko, ki jo bo obravnaval moj animirani film. What attracted me to making animated films ten years ago? For me, this is the magic of animation and its ability to bring the inanimate around us to life. How much of this magic has been preserved with the development of digital animation techniques, with the help of which today we create spectacular and completely virtual worlds that no longer have contact with the real world. With the development of digital technologies, the definition of an animated film has changed, which today no longer needs to be produced 'frame by frame', but can be produced faster and easier than ever before. With the help of digital technologies, we create increasingly realistic and stunning virtual worlds. I wonder if one of the main purposes of animation is simply the complete immersion of the viewer in a virtually created world. Despite all that digital technologies can offer, traditional animation techniques are still preserved today, just as with their materiality we somehow maintain contact with reality. So, in my master's thesis, I am mainly interested in the role and position of traditional animation techniques today, in the flood of digitally created images. I also decided to use the traditional technique, namely the stop-motion recording technique, in the practical part of my master's thesis. I think this technique is the most suitable for the ecological theme that my animated film will deal with. slikarstvo animirani film tradicionalne tehnike animiranja materialnost čutno računalniška animacija narava magistrska naloga painting animated film traditional techniques of animation materiality sensially computer animation nature MA thesis true false false Slovenski jezik Angleški jezik Magistrsko delo/naloga 2024-09-18 09:02:27 2024-09-18 09:02:30 2024-09-22 03:23:19 0000-00-00 00:00:00 2024 0 0 0000-00-00 NiDoloceno NiDoloceno NiDoloceno 0000-00-00 0000-00-00 0000-00-00 1970-01-01 32000 8612.pdf 8612.pdf 1 AE2925ED1E6573EC38A4BB0F3E68AC70 15ec19db5bf7e028d4bf3bffadbc15fd41daea8ee84e33f6bb8550d23ef5d545 dd74e4c7-758b-11ef-b232-0050569b8976 https://repozitorij.uni-lj.si/Dokument.php?lang=slv&id=191066 Akademija za likovno umetnost in oblikovanje 0 0 0