20.500.12556/RUL-161758 Vključevanje praznine v likovno kompozicijo diplomsko delo Integrating emptiness in art composition V diplomskem delu se osredotočam na pojem praznine v likovni umetnosti in njeno vključevanje v likovno kompozicijo. Preko vzhodne kulture, specifično preko japonske zen umetnosti in načina življenja, predstavim vlogo praznine v našem življenju in umetnosti. Predstavim, kako lahko ves čas najdemo povezave med to umetnostjo in kasnejšimi zahodnimi gibanji in umetniki, ki so nastale zavestno ali povsem naključno. S pomočjo teorije naše likovne zaznave predstavim razloge, ki pripomorejo k temu, da določeno informacijo zaznamo kot nam pomembno in s tem izoblikujemo odnos figura-ozadje. V svojih slikah skušam izkoriščati naravo naše vizualne zaznave, na način, da ustvarjam slike, ki prikazujejo ravno nasprotno, kar nam je v vidnem svetu običajno. Zanašam se na abstrakcijo in skušam preko lastnih del in del drugih umetnikov izpostaviti, da ni nujno potrebno, da za odnos figura-ozadje vedno upodabljamo razpoznavne motive. In my bachelor’s thesis, I focus on the concept of emptiness in fine art and its inclusion in fine art composition. Through Eastern culture, specifically through Japanese Zen art and way of life, I present the role of emptiness in our life and art. I present how we can constantly find connections between this art and later Western movements and artists whether these connections emerged consciously or purely by chance. Utilizing the theory of our artistic perception, I present the reasons that contribute to the fact that certain information is perceived as important to us and, thus, we create the figure–background relationship. In my paintings, I try to exploit the nature of our visual perception in such a way that I create images that show the exact opposite of what we are used to in the visible world. I rely on abstraction and try to highlight through my works and the works of other artists that it is not absolutely necessary to always depict recognizable motifs for the figure–background relationship. Kompozicija (likovna umetnost) Japonska umetnost praznina likovna kompozicija japonska umetnost zen abstrakcija v likovni umetnosti emptiness art composition japanesse art zen abstraction in fine art true false false N. Jerič Slovenski jezik Angleški jezik Diplomsko delo/naloga 2024-09-13 21:30:52 2024-09-13 21:30:59 2024-09-16 11:13:08 0000-00-00 00:00:00 2024 0 Ljubljana 0 Ljubljana 39 str. 0000-00-00 NiDoloceno NiDoloceno NiDoloceno 0000-00-00 0000-00-00 0000-00-00 7.012(520)(043.2) 165730 207637763 34128.pdf 34128.pdf 1 590639133D9724FF80F99B8D0CA0E182 7a7712f493982b387d92505b2d996ab144059099f7fab03468dc0c6c50fc245f a2be2844-7206-11ef-b232-0050569b8976 https://repozitorij.uni-lj.si/Dokument.php?lang=slv&id=190740 Pedagoška fakulteta 0 0 0