20.500.12556/RUL-160400 Liberalizacija v slovenskem partizanskem filmu v šestdesetih letih diplomsko delo Liberalization in the Slovenian partisan film in the 1960s Diplomsko delo se ukvarja z vprašanjem, ali je liberalizacija politike v bivši Jugoslaviji vplivala na spremembo slovenskega partizanskega filma, ki je v prvih letih po vojni opravljal zlasti agitacijsko funkcijo. Zastavljeni cilj je ugotoviti, ali je v drugi polovici šestdesetih let prišlo do večjih sprememb pri legitimaciji narodnoosvobodilnega boja (NOB) in reprezentaciji glavnih akterjev. V ta namen je kot osnovni epistemološki okvir izbrano področje diskurzivnega konstruiranja resničnosti, medtem ko je kot metoda analize izbrana semiologija. Analiza strokovne literature in osmih filmov, posnetih v obdobju med letoma 1960 in 1969, je pokazala, da so se vzporedno z liberalizacijo družbe spreminjali tudi načini prikaza NOB. Uradna ideologija se je začela umikati avtonomnim avtorskim iskanjem, tako da je v tem času nastalo tudi več kritičnih partizanskih filmov. Največje spremembe so bile pri reprezentaciji partizanov. Končna ugotovitev dela je, da so partizanski filmi še naprej ostali »zagovorniki NOB«, čeprav je prišlo do pomembnih sprememb na ideološkem in estetskem področju. The thesis deals with the question whether or not the liberalization of the political situation in the former Yugoslavia brought about any changes in the Slovenian partisan film, which in the first years after the war functioned primarily as a means of promotion of the ideological system. The goal is to determine whether any major changes in the legitimization of the NOB (National Liberation War) and in the potrayal of the main protagonists appeared in the 1960s. For this purpose, the field of discursive construction of reality is chosen as the basic epistemological framework, and semiology as the method of analysis.The analysis of professional literature and eight films made between 1960 and 1969 shows that, parallel to the liberalization of society, the ways of portraying the NOB also changed. The official ideology began to give way to autonomous writers' research; as a result, several quite critical partisan films were also made during this time. The biggest changes are notable in the portrayal of partisan characters. The final conclusion of the thesis is that the established perspective in the films did not change significantly, they remained "defenders of the NOB", despite some considerable changes in the ideological and aesthetic field. partizanski film NOB liberalizacija semiologija šestdeseta leta reprezentacija partisan film NOB liberalization semiology the sixties representation true true false L. Lučić Slovenski jezik Angleški jezik Diplomsko delo/naloga 2024-08-28 08:30:01 2024-08-28 08:30:05 2024-09-09 10:17:27 0000-00-00 00:00:00 2024 0 Ljubljana 0 Ljubljana 1 spletni vir (1 datoteka PDF (40 str.)) 0000-00-00 NiDoloceno NiDoloceno NiDoloceno 0000-00-00 0000-00-00 0000-00-00 791.222"1960/1969"(043.2) 165376 206764291 14612.pdf 14612.pdf 1 C0BACFD50D010C9834F8F07B07621DC1 6204142764e931180f29253b395b22c28ac03049fc9a517081b5f3a560cad435 bfd4b77e-6506-11ef-8f74-0050569b8976 https://repozitorij.uni-lj.si/Dokument.php?lang=slv&id=189085 Fakulteta za družbene vede 0 0 0